An engaging time-travel romp that mashes up Jung and Doctor Who to masterful effect.
The so-called mother of all humans embarks on a millennia-spanning odyssey in Larson’s novel.
She calls herself Kikiloa, but she’s better known as Mitochondrial Eve: the woman from whom all people now living are descended. Born in “the deep night of Africa’s great rift valley” some 200,000 years ago, she was betrayed by her father, impregnated, and enslaved. In the present day, we find her living in San Francisco, taking the form of a teenage girl with green eyes and impressively curly hair, which is how she appears to her friend Hazel and her brother, Lee, who are wholly unaware of her true identity until she mysteriously vanishes. When “Kiki” then reappears, it’s immediately clear to Hazel that there’s something a bit magical about her. In fact, Kiki begins to suspect that Hazel has an extraordinary destiny to fulfill, one that isn’t shared by the countless versions of herself who have lived and died in parallel worlds. But while Lee begins to fear that Kiki is deceiving her, Paha (Kiki’s mentor) has turned trickster, bent on sabotaging Hazel through violence. Kiki must uncover his true intentions while grappling with the reality that her own life—and the lives of all living things—must eventually end.
Larson’s debut reads a bit like Sarah Hall’s Helm crossed with Doctor Who, if the latter story were told from the Doctor’s perspective. Characters grapple with the implications of their own near immortality and the unhappy reality that sometimes a person must die to prevent a timeline from breaking. Like Jasper Fforde or Douglas Adams, Larson is one of a true minority of writers who can make cerebral science fiction both lucid and entertaining. The book’s relentlessly forward-moving style never once loses momentum in the course of its 400 pages. This feat is all the more impressive given the scope of the subjects under discussion, which include prehistory, the last Ice Age, multiverse theory, synchronicity, and the end of all things. “At this moment,” Kiki informs Hazel, “I am connected to a trillion mes across a trillion branches of the multiverse”—a flash of the sublime that reads like an ancient account of a deity disclosing itself to mortals. The book’s thematic roots in the teachings of Carl Jung offer a refreshingly unconventional message: that embracing the most frightening parts of ourselves is the path to wholeness. “When we accept shame,” says a “time surfer” named Akamai, “we become ourselves. We think the unthinkable thought…We face our fears and discover beyond them bare fields enriched by fire, ready for new growth.” This idea will be familiar to fans of Jung and Alan Watts, but it’s rare to see it articulated at all—let alone with such power—in a work of popular fiction. This philosophical depth anchors the multiverse shenanigans in a tangible, and very human, reality. An engaging time-travel romp that mashes up Jung and Doctor Who to masterful effect.Pub Date: July 21, 2026
ISBN: 9798994982808
Page Count: 418
Publisher: N/A
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Review Program: Kirkus Indie
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Buckle up—fans of page-turning SF may find themselves binge-reading this novel in one butt-numbing marathon session.
Like a truck with no brakes speeding down a steep mountain road, Islington’s latest is an adrenaline-fueled SF thrill ride that follows a biomechanically enhanced assassin as he tries to understand his mysterious origins.
The chaotic opening scene gives readers a clear indication of what they’re in for: Contract killer Azure, attempting to complete a mission, is involved in a life-or-death battle with a multieyed biomachine called an Argos. “The thing’s bipedal but has six gorilla-like arms that end in half-metre-long claws,” he complains. After Azure barely dispatches the monster and kills his target, his AI assistant, Atti, informs him of his next job: protecting an elderly—and incredibly rich—woman living in a sprawling underground bunker in the middle of nowhere. “Old Woman,” as Azure calls her, isn’t forthcoming with personal details; all Azure can suss out is that she may be the target of a powerful organized crime syndicate—the same organization that employs him! Is Azure’s ultimate goal to save her or kill her? Although the worldbuilding could’ve been more comprehensive, Islington’s editing choices are brilliant—he strips away the insignificant narrative content to create a streamlined, action-packed adventure with seemingly one goal: to keep the reader furiously turning pages. The various mysteries—Azure’s murky beginnings, the tragic death of his best friend years earlier, Old Woman’s true identity, etc.—maintain the momentum and intensity. The takeaway here is the narrative potential of the characters as well as the plethora of subjects that could be explored more deeply, like immortality for the rich, cloning, and the potential to create bioengineered nightmares for “security.” Islington leaves the conclusion tantalizingly ambiguous. This novel could be the jumping-off point for a memorable series.
Buckle up—fans of page-turning SF may find themselves binge-reading this novel in one butt-numbing marathon session.Pub Date: Sept. 1, 2026
ISBN: 9781668239247
Page Count: 240
Publisher: Saga/Simon & Schuster
Review Posted Online: Aug. 3, 2026
Kirkus Reviews Issue: Sept. 1, 2026
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