With the same winning humor, the Garbageman evolves to face deadlier challengers.
In this sequel, an artist finds his psychic powers waning as a serial killer and a supernatural horde descend on Arizona.
It’s been two years since the Bangers shot David Turley and Dr. Newman saved his life. Using the experimental substance Neurogen, the doctor gifted David with healing abilities and telekinesis in Dean’s (Garbageman, 2015) previous installment. Now, David has married girlfriend Julie, and the two artists are enjoying life in Phoenix. One weekend, they visit a Hopi reservation. Julie acquires a new kachina figurine for her collection, and David finds a mysterious man who gives him the corner of a stone tablet. “With this piece of stone comes a great responsibility,” the man tells him. Later, news outlets report that a serial killer called the Fisherman is terrorizing the area, leaving mutilated bodies in his wake. David wonders about his responsibility to the city after using his psychic talent to create a trash monster that fought the Bangers. Recently he’s been visiting Newman—not only to develop a safer version of Neurogen, but also because his powers seem to be vanishing. At his latest appointment, David sits in the waiting room after some tests, anticipating the results. Newman, however, disappears. In this novel, Dean presents his hero—who’s a cross between the Hulk and a dumpster—with some familiar horror villains. Early in the narrative, the ghoulish Fisherman thread brings readers to an underground conclave of vampires and werewolves. The monstrous horde is led by Hellann, whose power over her minions isn’t quite what is seems. Add to this mix some Hopi lore about the shape-shifting Ya Ya, or as David’s mentor Bradley explains, “Have you ever wondered why nobody has ever caught...Bigfoot? It’s because they are Native American skin walkers.” Dean once again keeps the mood fun (at one point, David thinks, “It is time to do some recycling”) yet brutal (a werewolf rips “half a rib cage from a running man”). Sometimes the story flows too placidly, as when David learns about manipulating energy and his “third eye” with little resistance. Horror fans should nevertheless celebrate the author’s flair for demented action and gore.
With the same winning humor, the Garbageman evolves to face deadlier challengers.Pub Date: Oct. 28, 2016
ISBN: 978-1-5353-6670-0
Page Count: 376
Publisher: CreateSpace
Review Posted Online: Dec. 1, 2016
Review Program: Kirkus Indie
Fans of smart horror will sink their teeth into this one.
Things are about to get bloody for a group of Charleston housewives.
In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.
Fans of smart horror will sink their teeth into this one.Pub Date: April 7, 2020
ISBN: 978-1-68369-143-3
Page Count: 400
Publisher: Quirk Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
PERSPECTIVES
SEEN & HEARD
King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.
The master of modern horror returns with a loose-knit parapsychological thriller that touches on territory previously explored in Firestarter and Carrie.
Tim Jamieson is a man emphatically not in a hurry. As King’s (The Outsider, 2018, etc.) latest opens, he’s bargaining with a flight attendant to sell his seat on an overbooked run from Tampa to New York. His pockets full, he sticks out his thumb and winds up in the backwater South Carolina town of DuPray (should we hear echoes of “pray”? Or “depraved”?). Turns out he’s a decorated cop, good at his job and at reading others (“You ought to go see Doc Roper,” he tells a local. “There are pills that will brighten your attitude”). Shift the scene to Minneapolis, where young Luke Ellis, precociously brilliant, has been kidnapped by a crack extraction team, his parents brutally murdered so that it looks as if he did it. Luke is spirited off to Maine—this is King, so it’s got to be Maine—and a secret shadow-government lab where similarly conscripted paranormally blessed kids, psychokinetic and telepathic, are made to endure the Skinnerian pain-and-reward methods of the evil Mrs. Sigsby. How to bring the stories of Tim and Luke together? King has never minded detours into the unlikely, but for this one, disbelief must be extra-willingly suspended. In the end, their forces joined, the two and their redneck allies battle the sophisticated secret agents of The Institute in a bloodbath of flying bullets and beams of mental energy (“You’re in the south now, Annie had told these gunned-up interlopers. She had an idea they were about to find out just how true that was"). It’s not King at his best, but he plays on current themes of conspiracy theory, child abuse, the occult, and Deep State malevolence while getting in digs at the current occupant of the White House, to say nothing of shadowy evil masterminds with lisps.
King fans won’t be disappointed, though most will likely prefer the scarier likes of The Shining and It.Pub Date: Sept. 10, 2019
ISBN: 978-1-9821-1056-7
Page Count: 576
Publisher: Scribner
Review Posted Online: Aug. 3, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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