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VOYAGE OF THE ECLIPSE

An impressively researched but emotionally unengaging historical novel.

In Hirschmann’s debut historical novel, a young sailor contends with a dangerous captain on a voyage to Alaska.

The Eclipse sets sail from Boston in 1801, heading out into an ocean still dominated by the British Navy, who are only too happy to conscript American sailors into their war against Napoleon. Eclipse captain Jonathan Fletcher is young and brash, and his 11-man crew is even younger. Second Mate Joshua Hall distrusts the captain’s recklessness, but like First Mate Micah Triplett, Joshua is obligated to follow the captain’s orders, even when he disagrees. Besides, Joshua must focus on his true reason for signing on with the voyage, beyond merely acquiring otter pelts in the Pacific Northwest to sell in China: He’s investigating the fate of another ship, captained by his rebellious brother, Elias, that disappeared along the northwest coast the year before. After two sailors are lost in a storm while rounding Cape Horn, the crew takes on replacements in Hawaii—despite the taboo against such things, the recruits include Fletcher’s and Triplett’s Hawaiian paramours. To be fair, the women as skilled sailors, particularly Fletcher’s “wahine,” Alamea. It’s under these fraught conditions that the Eclipse arrives on the shores of Alaska, where the dangerous fur trade is pursued by competing Russian trappers, powerful Indigenous clans, and conniving British and American crews. Joshua’s rescue of a young slave from captivity wins him Alamea’s affection, which he cannot help but return: “Her graceful presence and manner only added to an overpowering, if not disquieting attraction that he was beginning to realize could never be defeated, only contained, though for how long he was uncertain.” However, Fletcher’s increasingly erratic behavior must be contended with if Joshua hopes to find his brother or make it back to Boston alive.

The author, a history professor, is well acquainted with the conditions of the time, and his text is rich with wonderful period details, as when the crew of the Eclipse prepares to trade for pelts with the Haida people of Prince of Wales Island: “Further down the deck, Lavelle Clark prepared his blacksmithing forge, ready to accommodate any villagers’ requests to make or refashion copper and iron goods. Kekoa held two young white and orange cats high on his shoulders to catch the eyes of otter pelt-owning villagers desiring a pet.” Hirschmann succeeds in communicating the harshness of the era through the youth of the sailors, their distance from home, the general lawlessness of the time, and the ruthless exploitation of local populations. Stopovers in remote places like the Juan Fernandez Islands drive home the far-flung geography of the Age of Sail. The author displays less skill when it comes to crafting personalities to populate this world; Joshua’s pat heroism is neither compelling nor terribly believable. The other characters are just as thin, including the native Hawaiians and Tlingits sailing with the crew. It’s a shame, as the reader is curious to see the effect such harrowing conditions—battles, storms, duels, months at sea—would have on people of diverse perspectives. An impressively researched but emotionally unengaging historical novel.

Pub Date: March 14, 2023

ISBN: 9781684920518

Page Count: 286

Publisher: N/A

Review Posted Online: May 19, 2023

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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