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WE LIVED ON THE HORIZON

Singularly stunning and stunningly singular.

A murder reveals the faults in an allegedly optimized far-future society.

Bulwark is a walled city in the desert, built centuries ago by survivors of an apocalypse. Early residents sacrificed greatly to make the settlement habitable, and in recognition, they were venerated as Saints—a heritable title. Saints were also exorbitantly compensated in “life hours,” the continuing basis for Bulwark’s economy, which values goods and services according to the time and effort necessary for production. Life-hour totals are now tracked by Parallax, Bulwark’s Avataristic AI, whose primary purpose is to “ensure a basic quality and value of life, that everyone is cared for and no one needlessly suffers.” At present, however, Saints’ descendants are using their ancestors’ unused life-hour balances to live isolated lives of luxury, while everyone else toils tirelessly just to fall further behind. Sexagenarian bioprosthetist Saint Enita Malovis is only peripherally aware of Bulwark’s growing societal inequity thanks to her preoccupation with creating a body for Nix, the AI who runs her household and assists with her work. Then, someone kills one of her peers, Saint Lucius Ohno. Nix’s queries to Parallax for information about the crime return “a glut of junk code,” and Nix also starts noticing unsettling voids in Bulwark’s data grid. Enita’s on-again, off-again partner, historian Saint Helen Vinter, believes everything that’s happening is connected. She’s not sure how or to what end, but feels certain that neither she nor Enita is safe. Swyler achieves a seemingly impossible amount of sophisticated worldbuilding using an economy of vibrant, graceful prose. The story transports and transforms, alchemizing a combination of mystery, romance, and science fiction into an impactful exploration of the importance of connection, the evolutionary nature of identity, and the inevitability of revolution. Affecting relationships and a sinuous, kaleidoscopic third-person narrative further define and develop the exquisitely rendered characters.

Singularly stunning and stunningly singular.

Pub Date: Jan. 14, 2025

ISBN: 9781668049594

Page Count: 336

Publisher: Atria

Review Posted Online: Sept. 28, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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WRECK

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

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A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).

Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

Pub Date: Oct. 28, 2025

ISBN: 9780063453913

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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