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THE THIRTEENTH CHILD

An intriguingly conceptualized story that struggles to create a compelling cast of characters.

“Godfather Death,” a lesser-known Brothers Grimm fairy tale, gets a gothic update in Craig’s latest stand-alone fantasy.

Hazel Lafitte’s birth doesn’t feel like a gift to her parents, who already struggle to support their 12 other children. But to everyone else, a 13th child is a rare and intriguing thing, and Hazel is promised to the Dreaded End, the god of death, whom she will come to know as Merrick. Merrick plans for Hazel to become a gifted healer and bestows upon her the surname Trépas. For many lonely years, she studies medicine in isolation. She also learns that she’s as cursed as she is gifted. Hazel sees many cures in visions, but sometimes she instead perceives a skull—or deathshead—that commands her to kill her patient. When the king falls ill with a mysterious plaguelike illness, Hazel is summoned to find a cure. As she grows close to the king’s family, she questions her talents, sees deathsheads she can’t accept, and encounters other gods who are pulling strings. There are glimmers of a fascinating world here, though shallow characterization lessens the impact of Hazel’s dilemmas and decisions. The opening scene will appeal to fans of Margaret Owen’s Little Thieves, and while readers expecting similar depth may be disappointed, the haunting atmosphere and worldbuilding details have wide appeal. Most characters read white; Merrick has “deep obsidian skin.”

An intriguingly conceptualized story that struggles to create a compelling cast of characters. (Fantasy. 12-18)

Pub Date: Sept. 24, 2024

ISBN: 9780593482582

Page Count: 512

Publisher: Delacorte

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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