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IN THE BLUE

Sensitive, honest, and expertly done.

A family comes to terms with depression.

A dad teaches his daughter how to surf in the ocean. He is “as tall as the sky,” and she is “his teeny-tiny sunspot.” He usually sings to her in the morning and tucks her in at night. “But right now, things for my dad aren’t bright and yellow. They are a deep, dark blue,” the girl reveals. Shrouded in cobalt shadow on the verso, the father hangs his head while the girl and (presumably) her mother look on worriedly from the sunny recto. Readers learn that when the father is “in the blue,” his “kisses don’t reach as far at night, and the morning is quiet and dim.” The girl tries in vain to cheer him up. All her family can do is “wait together in the blue” until he is ready to get help. They all see a Black therapist—“someone who knows all the colors, from sunny to midnight”—and Dad is shown buying medicine from a White pharmacist. After some time, Dad grows “bright and yellow again,” and the father-daughter surfing adventures resume. The power of Hourigan’s metaphorical yet crystal-clear portrayal of depression lies in its simple but impressively evocative use of color symbolism. The acrylic gouache and color pencil illustrations are suffused with primary colors that convey misery, joy, and anger and that sometimes blend, creating secondary colors that signify the many moods, faces, and grades of depression. (This book was reviewed digitally.)

Sensitive, honest, and expertly done. (author's note, resources) (Picture book. 4-8)

Pub Date: May 3, 2022

ISBN: 978-0-316-49762-6

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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