Not exactly seamless but all in all a substantial introduction to a significant North American fossil.




From the Tilbury House Nature Book series

The story of Charlotte, Vermont’s official state marine fossil.

Rounds labors to draw a poetic message from the 11,500-year-old bones of a beluga that were unearthed in 1849 some 150 miles from the sea (“ ‘I was alive like you,’ they say. / ‘Time goes by fast,’ they say. / ‘The Earth is both strong and fragile’ ”) That’s a stretch, but her reconstruction of the whale’s likely history and her much-lengthier appended notes—on belugas, on who discovered the fossil, on what its discovery implied about the area’s prehistory, on glaciation in the Champlain Valley, and on Ice Age mammals of the region both extant and extinct—offer more than enough for readers to absorb and ponder. Carver supplies full-bleed landscapes stocked with woolly mammoths and musk oxen; views of “Charlotte” swimming with her pod, trapped in a tide pool, and then decomposing in stages; 19th-century workers (their faces indistinct but some, at least, possibly people of color) excavating a rail bed; a white naturalist (Zadock Thompson, unnamed in the main narrative) laying the bones out on a floor for study; and finally the assembled fossil in its modern exhibit case.

Not exactly seamless but all in all a substantial introduction to a significant North American fossil. (map, glossary, resource list) (Informational picture book. 7-9)

Pub Date: Aug. 7, 2018

ISBN: 978-0-88448-485-1

Page Count: 36

Publisher: Tilbury House

Review Posted Online: June 25, 2018

Kirkus Reviews Issue: July 15, 2018

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Together with its companions, too rushed to be first introductions but suitable as second ones.


From the Graphic Science Biographies series

A highlights reel of the great scientist’s life and achievements, from clandestine early schooling to the founding of Warsaw’s Radium Institute.

In big sequential panels Bayarri dashes through Curie’s career, barely pausing at significant moments (“Mother! A letter just arrived. It’s from Sweden,” announces young Irène. “Oh, really?…They’re awarding me another Nobel!”) in a seeming rush to cover her youth, family life, discoveries, World War I work, and later achievements (with only a closing timeline noting her death, of “aplastic anemia”). Button-eyed but recognizable figures in the panels pour out lecture-ish dialogue. This is well stocked with names and scientific terms but offered with little or no context—characteristics shared by co-published profiles on Albert Einstein and the Theory of Relativity (“You and your thought experiments, Albert!” “We love it! The other day, Schrödinger thought up one about a cat”), Charles Darwin and the Theory of Evolution, and Isaac Newton and the Laws of Motion. Dark-skinned Tierra del Fuegans make appearances in Darwin, prompting the young naturalist to express his strong anti-slavery views; otherwise the cast is white throughout the series. Engagingly informal as the art and general tone of the narratives are, the books will likely find younger readers struggling to keep up, but kids already exposed to the names and at least some of the concepts will find these imports, translated from the Basque, helpful if, at times, dry overviews.

Together with its companions, too rushed to be first introductions but suitable as second ones. (glossary, index, resource list) (Graphic biography. 7-9)

Pub Date: Jan. 1, 2020

ISBN: 978-1-5415-7821-0

Page Count: 40

Publisher: Graphic Universe

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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A sketchy teaser in search of an audience.


From the Eddie the Electron series , Vol. 2

A subatomic narrator describes how helium, a nonrenewable resource, is formed deep underground.

The very simple cartoon style of the illustrations suggests a breezier ride than the scientifically challenging content delivers. With much reliance on explanatory endnotes, Rooney sends her zippy narrator—newly freed from a popped balloon (see Eddie the Electron, 2015)—barreling its way past billions of nitrogen and oxygen atoms to the top of the atmosphere. Eddie describes how uranium and thorium trapped in the newly formed planet’s crust self-destructed to leave helium as a stable byproduct. Billions of tedious years later (“I thought I would die of pair annihilation!”) that helium was extracted for a wide variety of industrial uses. Following mentions of Einstein and how Eddie is mysteriously connected to other atoms “in a way that surpasses space and time,” the popeyed purple particle floats off with a plea to cut down on the party balloons to conserve a rare element. Younger readers may find this last notion easier to latch onto than the previous dose of physics, which is seriously marred both by the vague allusions and by Eddie’s identification as a helium atom rather than the free electron that his portrayals in the art, not to mention his moniker, indicate.

A sketchy teaser in search of an audience. (Informational picture book. 7-9)

Pub Date: June 20, 2017

ISBN: 978-1-944995-14-0

Page Count: 27

Publisher: Amberjack Publishing

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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