by Errol Morris ‧ RELEASE DATE: May 22, 2018
The book may prove illuminating for patient readers, but Morris the scorned student is not Morris the filmmaker: He makes...
America’s favorite myth-buster settles an old—and very arcane—score.
In 1972, Morris (Believing Is Seeing: Observations on the Mysteries of Photography, 2011, etc.) was nearly brained by a flying ashtray; his would-be assailant was the physicist Thomas Kuhn, author of The Structure of Scientific Revolutions. The two were at odds over James Clerk Maxwell’s theory of the displacement current, but the dispute went much deeper: whether truth is real (Morris) or relative and beholden to “paradigm shift” (Kuhn). In the years since, Morris has become the lively documentarian who obsessively follows the strange paths truth can take (The Thin Blue Line, The Fog of War, Tabloid, Wormwood et al.), and he has taken similar investigative trails in several books. Through it all, the Kuhn contretemps has apparently continued to gnaw at him; this book is his attempt at putting the matter to rest. For Morris, Kuhn’s legacy is little more than a general distrust of words and history. “For Kuhn, the meaning of words is endlessly in flux,” writes the author. “Changing your paradigm is not like changing your oil. You end up with a completely different set of meanings—except maybe you can’t know it, because the meanings are inaccessible to you.” Morris charges that Kuhn has likewise contributed to the “devaluation of scientific history” by arguing that truth isn’t so much discovered as created. The book can be tough sledding for readers a little shaky on modern trends in linguistic theory or historiography, and the constant digressions—Morris chases one rabbit after the next in footnotes stacked in the margins—can get annoying. One also senses a missed opportunity: In the era of fake news and alternative facts, the author might have made a stronger connection to the relativity of modern life.
The book may prove illuminating for patient readers, but Morris the scorned student is not Morris the filmmaker: He makes you work.Pub Date: May 22, 2018
ISBN: 978-0-226-92268-3
Page Count: 224
Publisher: Univ. of Chicago
Review Posted Online: Jan. 7, 2018
Kirkus Reviews Issue: March 1, 2018
Share your opinion of this book
More by Errol Morris
BOOK REVIEW
by Errol Morris
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
Awards & Accolades
Likes
21
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2015
Kirkus Prize
winner
New York Times Bestseller
IndieBound Bestseller
National Book Award Winner
Pulitzer Prize Finalist
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
Share your opinion of this book
More by Ta-Nehisi Coates
BOOK REVIEW
by Ta-Nehisi Coates ; illustrated by Jackie Aher
BOOK REVIEW
BOOK REVIEW
More About This Book
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
Awards & Accolades
Likes
18
Our Verdict
GET IT
Google Rating
Kirkus Reviews'
Best Books Of 2016
New York Times Bestseller
Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Share your opinion of this book
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.