For readers in the mood for a little menace.



A nanny—Mary Poppins’ acidic cousin?—outwits a spoiled fusspot using reverse psychology.

On the title page, a maid kneels, scrubbing at a dark line vandalized onto wallpaper. Turn the page and find a girl lengthening the line with her pencil as she roller skates along. She looks back toward the maid wickedly. A passel of servants at her mercy, Minerva von Vyle brings her pink pony indoors and graffitis a punk hairdo and bikini onto her father’s military portrait. Beef Wellington is thrown: “Now bring me a plateful of candy instead… / and don’t even think about mentioning bed!” “[F]ifty-two nannies in fifty-two weeks” depart; the 53rd shrewdly crowns Minerva “the Unruly Queen.” Will Minerva’s castle have a fancy throne? Nope, she’ll rule over “a dark distant place known as Petulant Peak,” which is beset by beasties and where, worst of all, “[n]obody’s going to care anymore” about her. Cowed, Minerva runs to the bathtub. Scrubbed and meekly abed, she’s permitted to decline the Unruly crown—though nanny’s final threat is far from comforting. Rollicking verse, stumbling only occasionally, lends a playful air to the otherwise foreboding mood. In pen and ink, Redmond gives her stylized, exaggerated figures barbs and sharp edges everywhere. Tertiary, unsaturated green and purple watercolors balance out the busy pages.

For readers in the mood for a little menace. (Picture book. 4-6)

Pub Date: Feb. 1, 2012

ISBN: 978-0-7636-3445-2

Page Count: 32

Publisher: Candlewick

Review Posted Online: Dec. 3, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their...


Ruby is an adventurous and happy child until the day she discovers a Worry.

Ruby barely sees the Worry—depicted as a blob of yellow with a frowny unibrow—at first, but as it hovers, the more she notices it and the larger it grows. The longer Ruby is affected by this Worry, the fewer colors appear on the page. Though she tries not to pay attention to the Worry, which no one else can see, ignoring it prevents her from enjoying the things that she once loved. Her constant anxiety about the Worry causes the bright yellow blob to crowd Ruby’s everyday life, which by this point is nearly all washes of gray and white. But at the playground, Ruby sees a boy sitting on a bench with a growing sky-blue Worry of his own. When she invites the boy to talk, his Worry begins to shrink—and when Ruby talks about her own Worry, it also grows smaller. By the book’s conclusion, Ruby learns to control her Worry by talking about what worries her, a priceless lesson for any child—or adult—conveyed in a beautifully child-friendly manner. Ruby presents black, with hair in cornrows and two big afro-puff pigtails, while the boy has pale skin and spiky black hair.

A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their feelings . (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-1-5476-0237-7

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

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An unfortunately simplistic delivery of a well-intentioned message.


Drawing on lyrics from her Mormon children’s hymn of the same title, Pearson explores diversity and acceptance in a more secular context.

Addressing people of varying ages, races, origins, and abilities in forced rhymes that omit the original version’s references to Jesus, various speakers describe how they—unlike “some people”—will “show [their] love for” their fellow humans. “If you don’t talk as most people do / some people talk and laugh at you,” a child tells a tongue-tied classmate. “But I won’t! / I won’t! / I’ll talk with you / and giggle too. / That’s how I’ll show my love for you.” Unfortunately, many speakers’ actions feel vague and rather patronizing even as they aim to include and reassure. “I know you bring such interesting things,” a wheelchair user says, welcoming a family “born far, far away” who arrives at the airport; the adults wear Islamic clothing. As pink- and brown-skinned worshipers join a solitary brown-skinned person who somehow “[doesn’t] pray as some people pray” on a church pew, a smiling, pink-skinned worshiper’s declaration that “we’re all, I see, one family” raises echoes of the problematic assertion, “I don’t see color.” The speakers’ exclamations of “But I won’t!” after noting others’ prejudiced behavior reads more as self-congratulation than promise of inclusion. Sanders’ geometric, doll-like human figures are cheery but stiff, and the text’s bold, uppercase typeface switches jarringly to cursive for the refrain, “That’s how I’ll show my love for you.” Characters’ complexions include paper-white, yellow, pink, and brown.

An unfortunately simplistic delivery of a well-intentioned message. (Picture book. 4-6)

Pub Date: March 17, 2020

ISBN: 978-1-4236-5395-0

Page Count: 32

Publisher: Gibbs Smith

Review Posted Online: Jan. 21, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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