A sublime joy.
Explore the magic of knowing yourself.
A small fey creature, perhaps a sprite or a pixie, in a lush landscape of flowers and greenery guides readers through a simple but profound examination of their self and their interactions with others. Emerging from their acorn-shaped home, the creature, which vaguely resembles a radish (in boots), goes about their interactions with other characters inspired by nature, such as a walking, mushroomlike friend and a tall, flowerlike chef. As they interact, thoughtful narration guides their day: “I have been / with my self / for a very long time. // MY self is not / YOUR self. / What is a self? / Is it INSIDE of us? / or OUTSIDE of us?” Each question accompanies a vignette of small acts, from buttoning up a coat to making a sandwich, but caregivers and educators will know that it’s more than that; each question and simple sentence is there to encourage dialogue and self-discovery from young readers. As the narration continues, readers learn what small things the creature likes about themself and their companions. The story is a study in self-awareness, one made stronger by the gorgeously detailed mixed-media illustrations and hand-lettered phrases that hark back to the aesthetics of the late 1960s and early 1970s. (This book was reviewed digitally.)
A sublime joy. (Picture book. 4-8)Pub Date: Sept. 27, 2022
ISBN: 978-1-77488-023-4
Page Count: 48
Publisher: Tundra Books
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
Relatable guidance for nocturnal worriers.
Actor and author Greenfield’s latest picture book follows a child kept awake by anxieties.
The pajama-clad narrator huddles in bed among the blue shadows of a bedroom at night. “Every time I close my eyes, I’m afraid of all the scary stuff I see.” Bright, candy-hued clouds of cartoon images surround the child, lively, disruptive depictions of the what-ifs and exaggerated disasters that crowd out sleep: war (we see the world pop “into a piece of popcorn”), kidnapping (pirates carry away the child’s teddy bear), falling “up” into the sun, tarantulas in the toilet, and a menacing-looking dentist. These outsize insomnia inducers may help readers put their own unvoiced concerns into perspective; after all, what frightens one person might seem silly but understandable to another. Our narrator tries to replace the unsettling thoughts with happy ones—hugging a baby panda, being serenaded by a choir of doughnuts, and “all the people who love me holding hands and wearing every piece of clothing that they own.” But sleep is still elusive. Finally, remembering that there’s a difference between reality and an overactive imagination, the child relaxes a bit: “Right now, everything is okay. And so am I.” Reassuring, though not exactly sedate, this tale will spark daytime discussions about how difficult it can be to quiet unsettling thoughts. The child has dark hair and blue-tinged skin, reflecting the darkness of the bedroom.
Relatable guidance for nocturnal worriers. (Picture book. 4-7)Pub Date: Sept. 3, 2024
ISBN: 9780593697894
Page Count: 32
Publisher: Putnam
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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