Rendered with insight and compassion, Eden’s struggles to make peace with the human condition add up to a riveting...



Nursing a seriously bruised ego, out of sync with friends and family, Eden slipped, hit her head, and plunged into the icy river; in the coma that follows, she’s approached by a strange girl whose urgent message she’s unable to hear.

Unresolved issues slow Eden’s recovery. The white teen’s embittered by her humiliating epic fail in the class she took with Russia’s Bolshoi Ballet. The brown-skinned girl from her coma proves to be another hospital patient, Jasmine, still comatose, her only visitor a quiet, intense white boy named Joe. Through their shared interest in Jaz, Joe and Eden form a bond, at first halting and awkward, intensifying as their mutual attraction grows. Joe’s mother died when he was 8; he helps his florist dad and stepmother grow flowers, some sold at the hospital. Middle-class Eden has been free of domestic chores to pursue her interests. Joe and Jaz, a former foster child, have been friends for years. They’d been each other’s world; without her, he’s as off-balance as Eden is. Though Eden fears losing Joe, she’s as committed to reaching Jaz as he is. If what the coma signifies for Jasmine remains mysterious, for Eden, it’s a chrysalis. The protective cocoon may initiate rebirth—transformation is up to her. Her deliberate, almost meditative present-tense narration chronicling her metamorphosis is punctuated by excerpts from a book she reads about near-death experiences, anchoring readers to her existential journey.

Rendered with insight and compassion, Eden’s struggles to make peace with the human condition add up to a riveting coming-of-age story. (Fiction. 14-18)

Pub Date: April 4, 2017

ISBN: 978-0-544-53126-0

Page Count: 320

Publisher: HMH Books

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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An emotionally engaging closer that fumbles in its final moments.


From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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Many teen novels touch on similar themes, but few do it so memorably.

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Two struggling teens develop an unlikely relationship in a moving exploration of grief, suicide and young love.

Violet, a writer and member of the popular crowd, has withdrawn from her friends and from school activities since her sister died in a car accident nine months earlier. Finch, known to his classmates as "Theodore Freak," is famously impulsive and eccentric. Following their meeting in the school bell tower, Finch makes it his mission to re-engage Violet with the world, partially through a school project that sends them to offbeat Indiana landmarks and partially through simple persistence. (Violet and Finch live, fortunately for all involved, in the sort of romantic universe where his throwing rocks at her window in the middle of the night comes off more charming than stalker-esque.) The teens alternate narration chapter by chapter, each in a unique and well-realized voice. Finch's self-destructive streak and suicidal impulses are never far from the surface, and the chapters he narrates are interspersed with facts about suicide methods and quotations from Virginia Woolf and poet Cesare Pavese. When the story inevitably turns tragic, a cast of carefully drawn side characters brings to life both the pain of loss and the possibility of moving forward, though some notes of hope are more believable than others.

Many teen novels touch on similar themes, but few do it so memorably. (Fiction. 14 & up)

Pub Date: Jan. 6, 2015

ISBN: 978-0-385-75588-7

Page Count: 400

Publisher: Knopf

Review Posted Online: Oct. 1, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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