An uneven but worthwhile read.
It’s 1987, and everybody in the fictional coastal town of Santa Maria, California, knows the dangerous Brayburn women.
When Mayhem Brayburn was 3, she and her mother, Roxy, left Santa Maria trying to escape the burden that generations of Brayburn women have carried. Thirteen years later, May and Roxy flee May’s abusive stepfather, returning to the family home to stay with Roxy’s twin sister, Elle, and her foster kids: Neve and siblings Jason and Kidd. Now May engages for the first time with all the secrets Roxy kept all these years and the truth behind the Brayburn women’s burden—and self-appointed mission—just as a serial kidnapper is on the loose on the beaches of Santa Maria. Paying open homage to the ’80s movie The Lost Boys, the novel addresses issues such as domestic abuse, suicide, sexual assault, and addiction, interweaving them with magic, deadly violence, and vigilante justice. May’s move from innocence to being an eager vigilante who feels empowered by killing as well as her sudden romance with Jason feel too hurried, but the story’s focus on May and Roxy’s relationship, its interrogation of revenge, as well as the exploration of destiny versus agency are ultimately rewarding. Journals and letters from Brayburn women through the years add to the story. May’s mother is white and her father was Brazilian; Jason and Kidd are biracial (black/white), Neve is white, and Elle is lesbian.
An uneven but worthwhile read. (Fantasy. 15-18)Pub Date: July 14, 2020
ISBN: 978-1-250-29793-8
Page Count: 304
Publisher: Wednesday Books
Review Posted Online: May 1, 2020
Kirkus Reviews Issue: May 15, 2020
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A slasher flick spliced with Crime and Punishment, this engrossing debut novel asks complex philosophical questions in a...
An adolescent, yet Nietzschean, examination of humanity and horror.
Nita is a monster. Literally. She can heal her own wounds and even block her pain receptors. But she and her mother also deal in monsters, species regulated by the International Non-Human Police, selling their body parts on the black market. Her ghoulish mother hunts and kills, while Nita dissects them with a meditative grace, trying to think of herself as innocent. But when Nita’s conscience inconveniently prevents her from vivisecting a live specimen, she’s kidnapped and taken to the Amazon, caged by people in the same business. Menaced by a zannie (creatures that feed off physical pain) and a ruthless woman, Nita, who is mixed species (with a brown-skinned human father and a nonhuman mother), has to figure out how to escape and whether she has any morals to live by. The vivid setting, Mercado de la Muerte (one of several Death Markets worldwide) in a sweltering South American jungle populated by buyers, sellers, and sold, is matched by a zipping plot interspersed with deliciously horrifying and gory scenes of dismemberment and destruction. Equally intriguing is the constant musing on what makes a monster, how people respond to trauma and control, and how one’s choices affirm or deny one’s own humanity.
A slasher flick spliced with Crime and Punishment, this engrossing debut novel asks complex philosophical questions in a pleasingly hard-to-stomach way. (Fantasy. 15-adult)Pub Date: Sept. 4, 2018
ISBN: 978-1-328-86354-6
Page Count: 368
Publisher: HMH Books
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
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