illustrated by Esther Averill ‧ RELEASE DATE: Nov. 26, 1969
Like the Royal Hotel where Tom finds refuge and rises to eminence, this has a certain musty sweetness—it's cheering to find that the members of The Cat Club (founded 1944), "forever friends," are forever true to character. How Tom joins their charmed circle—after being alerted to the duties and demeanor proper to a Hotel Cat by his Lady, long-time resident Mrs. Wilkins—makes a tale in which small excitements and small satisfactions loom large: Tom's rescue of Edward, "The Runaway Guest" with the nose of a poet, and his grateful reception by Edward's alert brother Checkers and friendly little sister Jenny; the arrival of tramp cats Sinbad and the Duke ("Do you come in peace?" "We spit no spit") and upstairs, of cats-with-their-masters, victims of broken boilers in the Winter of the Big Freeze. It's Jenny and her brothers who suggest a Club meeting/Stardust Ball in the old grand ballroom of the Royal, and Tom who, with an okay from the President and an invitation composed by Checkers, makes the necessary arrangements. It will be "a night to remember"—especially for Tom who is unanimously elected an honorary member. Quite up to scratch—no one could reasonably find "fault with the services of the Hotel Cat.
Pub Date: Nov. 26, 1969
ISBN: 1590171594
Page Count: 182
Publisher: Harper & Row
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1969
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illustrated by Esther Averill
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illustrated by Esther Averill
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by Jack E. Levin ; illustrated by Jack E. Levin ‧ RELEASE DATE: Oct. 30, 2018
Preaches to the choir.
A picture-book introduction to the police.
A preface by the author/illustrator’s son Mark R. Levin, a lawyer and Fox News personality, tells readers, “My father…understands that in all walks of life, and in every profession, man’s imperfections present themselves.” But, distressed by “news reports painting police officers…in an extremely negative light,” he was stirred to create this book so that young readers might “learn to respect law and order.” After that beginning, straightforward text combines with simple, childlike illustrations to introduce various types of police officers and what they do, including traffic police, dog handlers, and state troopers. Unsurprisingly, this is an unnuanced, positive portrayal. “When a fierce hurricane hits, the police remain steadfast. Amid the rising floodwaters, they search for missing people and stranded pets.” The book does not fall into the common trap of adducing the criminality of those arrested but not yet tried—indeed, there’s just one depiction of an arrest, in the beam of light cast by a police helicopter as the text reads that its job is to “make sure all is safe in the surrounding neighborhood.” It is deeply unfortunate, however, in a book that is attempting to rehabilitate the police with young audiences, that the vast preponderance of officers depicted appear to be white (as are those they interact with). Nowhere in the book’s determined cheerleading is there room to respect the experiences of those who have lost family members and friends to the police and who themselves feel targeted.
Preaches to the choir. (Informational picture book. 4-8)Pub Date: Oct. 30, 2018
ISBN: 978-1-5344-2950-5
Page Count: 40
Publisher: Aladdin
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
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by Hannah Carmona Dias ; illustrated by Dolly Georgieva-Gode ‧ RELEASE DATE: Sept. 14, 2018
Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses...
This tan-skinned, freckle-faced narrator extols her own virtues while describing the challenges of being of mixed race.
Protagonist Lilly appears on the cover, and her voluminous curly, twirly hair fills the image. Throughout the rhyming narrative, accompanied by cartoonish digital illustrations, Lilly brags on her dark skin (that isn’t very), “frizzy, wild” hair, eyebrows, intellect, and more. Her five friends present black, Asian, white (one blonde, one redheaded), and brown (this last uses a wheelchair). This array smacks of tokenism, since the protagonist focuses only on self-promotion, leaving no room for the friends’ character development. Lilly describes how hurtful racial microaggressions can be by recalling questions others ask her like “What are you?” She remains resilient and says that even though her skin and hair make her different, “the way that I look / Is not all I’m about.” But she spends so much time talking about her appearance that this may be hard for readers to believe. The rhyming verse that conveys her self-celebration is often clumsy and forced, resulting in a poorly written, plotless story for which the internal illustrations fall far short of the quality of the cover image.
Mixed-race children certainly deserve mirror books, but they also deserve excellent text and illustrations. This one misses the mark on both counts. (Picture book. 4-6)Pub Date: Sept. 14, 2018
ISBN: 978-1-63233-170-0
Page Count: 32
Publisher: Eifrig
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Hannah Carmona Dias ; illustrated by Brenda Figueroa
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