A touching coming-of-age story, powerfully but gracefully infused with a spirit of place, which also pays tribute to a...
For a teenage boy living on the coast of England in 1914, change is everywhere. Freud’s (Lucky Break, 2011, etc.) evocative new novel intermingles the dawning consciousness of an imaginative, creative child, who meets a real artist, with the irreversible alteration brought to a small community by the start of World War I.
The Suffolk coastal landscape—its history, weather, natural fabric and ever shifting aspects—suffuses Freud’s delicately detailed chronicle of village life, in which sailing, fishing, shipwrecks and beachcombing are the stuff of local existence. Tom Maggs, 13 and born with a twisted foot, knows the terrain like the back of his hand and roams it freely. Tom has a taste for drawing, which is how he first encounters the dark figure of Mac, aka Charles Rennie Mackintosh, the noted Scottish architect and painter who, with his wife, also a renowned artist, is living locally, recuperating from illness after a career dive. Tom’s father, an alcoholic, terrorizes his family while the Mackintoshes’ loving companionship offers a different version of marriage. The couple also encourages Tom’s sketching, and he becomes their mail boy, delivering their letters to the post office, after steaming them open to read the contents. Once war begins, soldiers constantly come and go, the town and beaches are fortified against invasion, and Zeppelins fly overhead, dropping bombs. Tom and those around him are increasingly affected by the new laws, the distant fighting, and the national mood of fear and suspicion. When crises arrive, they propel the boy forward into an unimaginable future in which he will always cherish the love and artistic devotion he witnessed during that shattering year.
A touching coming-of-age story, powerfully but gracefully infused with a spirit of place, which also pays tribute to a revered artist.Pub Date: Jan. 27, 2015
ISBN: 978-1-62040-883-4
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: Sept. 9, 2014
Kirkus Reviews Issue: Oct. 1, 2014
PROFILES
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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