RICHES

Financially secure in their old age, hard-working Samuel and his wife seek the advice of a revered rabbi: Should they give up their store so that Chaya-Rivka can ``read holy books in peace'' while Samuel also does something ``pleasing to the Almighty?'' Approving this plan, the rabbi tells Samuel to drive his horse and cart around the roads beyond his village for three months. Mystified, the old man complies, soon finding himself enjoying the landscape and helping strangers along the way: good deeds to parallel stories of the prophets his wife is studying. In the tradition of I. B. Singer, a gentle setting for a precious nugget of wisdom, voiced by the rabbi: ``Give charity, as ever. But also give of yourself whenever and wherever you can.'' Diamond's soft gray-and-white art unobtrusively reflects the story's kindly warmth and helps realize the Eastern European setting. (Fiction. 8+)

Pub Date: Sept. 30, 1992

ISBN: 0-06-022259-X

Page Count: 44

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1992

HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

THE ROUGH-FACE GIRL

An Algonquin Cinderella story, with accomplished but sometimes overliteral illustrations. A powerful invisible being will marry the woman who can prove that she's seen him; a poor man's two proud daughters try and fail, but the third, her face and hands scarred from tending the fire, has the understanding to see him everywhere in the world and is lovingly received. Martin's retelling is spare and understated, but never dry; the two sisters are richly comic figures, the climax and ending uncontrived yet magically romantic. Shannon (who illustrated Lester's How Many Spots Does a Leopard Have?) expertly picks up the flavor—the sisters positively strut through the village, their noses high and one wearing what looks like a spangled angora sweater—but the lips the Rough-Faced Girl sees hanging in the sky, or the muscular, art-deco cloud figure, seem intrusions rather than integral parts of the natural world. Still, a strong, distinctive tale with art to match. (Folklore/Picture book. 8+)

Pub Date: April 29, 1992

ISBN: 0-399-21859-9

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1992

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