BIRD & BIRDIE IN A FINE DAY

Over the course of three short chapters, blue Bird and yellow Birdie spend “a beautiful morning,” “a wonderful afternoon” and “a marvelous night” getting to know each other. Brightly colored, cartoon-style Photoshop art, coupled with environmental text and speech balloons, deliver a picture book with clear ties to comic art and animation. The bird friends delight in one another’s company in each story—even though a rainstorm, Birdie’s distracting chattiness while Bird is trying to catch a worm and a less-than-cozy nest disrupt their burgeoning connection. Each chapter’s central problem reaches a satisfying resolution, and though the first story hints that they may emerge as lovebirds, Bird and Birdie chastely end up falling asleep in separate nests by book’s end. The controlled, repetitive text positions this picture book as a potentially successful book for beginning readers, though it would also serve well as a read-aloud. (Picture book/early reader. 3-7)

Pub Date: April 27, 2010

ISBN: 978-1-58246-321-6

Page Count: 48

Publisher: Tricycle

Review Posted Online: Dec. 28, 2010

Kirkus Reviews Issue: March 15, 2010

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Lost and found was never so riotously funny or emotionally draining.

DON'T FORGET DEXTER!

A lost toy goes through an existential crisis.

The setup is on the copyright page. Amid the markers of a universally recognizable waiting room—fish tank, chairs against the wall, receptionist’s window, kids’ coloring table—is a tiny orange T. Rex with a dialogue balloon: “Hello?” A turn of the page brings Dexter T. Rexter into close view, and he explains his dilemma directly to readers. He and his best friend came for a checkup, but Jack’s disappeared. Maybe readers can help? But when Jack is still MIA, Dexter becomes disconsolate, believing his friend might have left him behind on purpose; maybe he likes another toy better? Dexter weighs his good qualities against those he lacks, and he comes up short. But when readers protest (indicated by a change in Dexter’s tone after the turn of the page), Dexter gains the determination he needs to make a plan. Unfortunately, though hilariously, his escape plan fails. But luckily, a just-as-upset black boy comes looking for Dexter, and the two are reunited. Ward’s ink, colored-pencil, and cut-paper illustrations give readers a toy’s view of the world and allow children to stomp in Dexter’s feet for a while, his facial expressions giving them lots of clues to his feelings. Readers will be reminded of both Knuffle Bunny and Scaredy Squirrel, but Dexter is a character all his own.

Lost and found was never so riotously funny or emotionally draining. (Picture book. 3-7)

Pub Date: Jan. 1, 2018

ISBN: 978-1-5420-4727-2

Page Count: 32

Publisher: Two Lions

Review Posted Online: Aug. 2, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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A pro-girl book with illustrations that far outshine the text. (Picture book. 3-7)

I AM ENOUGH

A feel-good book about self-acceptance.

Empire star Byers and Bobo offer a beautifully illustrated, rhyming picture book detailing what one brown-skinned little girl with an impressive Afro appreciates about herself. Relying on similes, the text establishes a pattern with the opening sentence, “Like the sun, I’m here to shine,” and follows it through most of the book. Some of them work well, while others fall flat: “Like the rain, I’m here to pour / and drip and fall until I’m full.” In some vignettes she’s by herself; and in others, pictured along with children of other races. While the book’s pro-diversity message comes through, the didactic and even prideful expressions of self-acceptance make the book exasperatingly preachy—a common pitfall for books by celebrity authors. In contrast, Bobo’s illustrations are visually stunning. After painting the children and the objects with which they interact, such as flowers, books, and a red wagon, in acrylic on board for a traditional look, she scanned the images into Adobe Photoshop and added the backgrounds digitally in chalk. This lends a whimsical feel to such details as a rainbow, a window, wind, and rain—all reminiscent of Harold and the Purple Crayon. Bobo creates an inclusive world of girls in which wearing glasses, using a wheelchair, wearing a head scarf, and having a big Afro are unconditionally accepted rather than markers for othering.

A pro-girl book with illustrations that far outshine the text. (Picture book. 3-7)

Pub Date: March 6, 2018

ISBN: 978-0-06-266712-0

Page Count: 32

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 3, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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