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ZERO LOCAL

NEXT STOP: KINDNESS

Timely and timeless, as kindness always is.

Kindness is contagious in the Murrows’ latest wordless picture book.

The week starts on the Zero Local train the way so many do—with delays. Landscape and figures alike are subsumed in the grays and shadows of textured pencil drawings, capturing the haze of passengers’ Monday frustration. Only two riders break up the gray—a white adult with a yellow hat and a shoulder-riding yellow bird and a young person of color wearing a yellow shirt. The passenger with the yellow hat pulls out pencil and paper to draw a funny picture of birds as a thank-you card for the train driver, a simple act of kindness marked by the driver’s vest’s turning from gray to yellow. The artist’s drawings and kindness continue through the week, until a day comes when they do not board the train. As delays and tension sharply rise, the young rider also decides to create some art and cuts out paper birds to offer to fellow passengers. Where words so often fail, the wordless breathes life into people’s smallest actions and deepest impacts, as the Murrows’ spreads uplift the mundane. It’s a positive love letter to community (even among commuter-train regulars), diversity, and paying it forward. A lack of contrast in the predominantly gray palette may present an obstacle for readers with low sensitivity.

Timely and timeless, as kindness always is. (Picture book. 3-7)

Pub Date: April 14, 2020

ISBN: 978-0-7636-9747-1

Page Count: 40

Publisher: Candlewick

Review Posted Online: Jan. 25, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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