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HOW TO DRAW A BRAVE CHICKEN

A winning combo of easy-to-draw figures and a wacky, interactive storyline with a subtle emotional point.

An inevitable and much-anticipated follow-up to the team’s How To Draw a Happy Cat (2022).

“Chickens are known for being…well…chicken,” an unseen narrator admits, “but follow these instructions and you can draw a brave chicken.” Simple directions ensue: an oval for the chicken’s body, dots for her eyes. Uh-oh. A frightened Chicken hides behind a pail. Giving her a knight’s suit of armor and a horse will make her look brave; the narrator explains how to draw these items. Then a dragon arrives. What will make Chicken feel brave? Friends on a trampoline can help (among them Cat, the hero of Berlin and Matison’s earlier book). The dragon flies off, and, feeling courageous, Chicken wants to pursue. She asks for a rocket ship, which the narrator initially rejects. But when Chicken begins crying, the narrator quickly agrees. A rocket ship takes the friends to the moon, where the ravenous dragon awaits. Chicken proposes a creative solution: drawing an ice cream truck. Bits of bright color enhance the action, while Chicken’s path to bravery will gently bolster many young readers. Matison’s firm linework and clear steps make replicating his charmingly childlike drawings look doable, inviting kids to try. It’s a blast, and as the narrative concludes, Chicken has proof that she’s brave—but now her pal Dog is hiding under the pail. Stay tuned.

A winning combo of easy-to-draw figures and a wacky, interactive storyline with a subtle emotional point. (Picture book. 5-8)

Pub Date: Aug. 27, 2024

ISBN: 9781662640643

Page Count: 40

Publisher: Hippo Park/Astra Books for Young Readers

Review Posted Online: Aug. 30, 2024

Kirkus Reviews Issue: Oct. 1, 2024

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CREEPY PAIR OF UNDERWEAR!

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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  • Kirkus Reviews'
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  • New York Times Bestseller

Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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