by Ethan Zuckerman ‧ RELEASE DATE: Jan. 29, 2021
A wide-ranging, occasionally overwhelming book that condemns failed institutions and challenges us to make needed change.
An overview of the causes of our mistrust in the institutions we once held sacred.
In this study of how to rebuild faith in society and each other and enter into a new compact with our fellow citizens, Zuckerman, former director of MIT’s Center for Civic Media, examines the struggle between institutionalists (those who believe we can reform existing structures) and insurrectionists (those seeking to tear it down and start anew). As organizations grow old, they inevitably fall out of touch with those they are meant to serve, resulting in widespread mistrust. All readers will agree that government, industry, and other trusted bodies have failed us in one way or another, and the author provides them with ample statistical data to prove it. How best to rebuild that trust—from within or without? It would be too easy for Zuckerman to criticize skeptics and insurrectionists as cranks or lunatics. Instead, the author provides solid examples of the many insurrectionists who have upended industries, including Uber, Tesla, and Airbnb. The founders of these companies identified needs missing in the market and leveraged this absence into transformative new businesses. Of course, there are downsides, which the author shrewdly considers. Uber, for example, has wreaked havoc on the taxi industry, forcing many drivers out of the business altogether. In the political arena, authoritarian power is always a lurking danger. Zuckerman discusses how the Sicilian Mafia rose to power as an insurrectionist response to inadequate governmental structures. Similarly, elected officials such as Donald Trump present themselves as populist insurrectionists, but they often bring with them dangerous strongman tactics. “Mistrust,” writes the author, “is the single, critical factor” that led to his election. Throughout, the author uses concrete examples to illustrate his points—sometimes too many examples. The narrative could have benefitted from a deeper focus on fewer topics.
A wide-ranging, occasionally overwhelming book that condemns failed institutions and challenges us to make needed change.Pub Date: Jan. 29, 2021
ISBN: 978-1-324-00260-4
Page Count: 320
Publisher: Norton
Review Posted Online: Sept. 11, 2020
Kirkus Reviews Issue: Oct. 1, 2020
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BOOK REVIEW
by Julie Scelfo illustrated by Hallie Heald ‧ RELEASE DATE: Oct. 25, 2016
An eclectic assortment of women make for an entertaining read.
An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.
In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.
An eclectic assortment of women make for an entertaining read.Pub Date: Oct. 25, 2016
ISBN: 978-1-58005-653-3
Page Count: 304
Publisher: Seal Press
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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by Jacqueline Rose ‧ RELEASE DATE: May 18, 2021
An intellectually probing analysis.
A wide-ranging investigation of gender, power, and abuse.
British literary scholar and cultural critic Rose examines the impetus for and experience of violence, especially against women. Casting a wide net, she considers sexual predation and harassment; violence against transgender women, including by feminists who engage in “the coercive violence of gendering”; violence depicted in literary fiction; South Africa, where a woman is murdered every three hours and Cape Town is known as the rape capital of the world; and violence against migrant women and children. Although Rose focuses mainly on male violence, she argues that violence is not inherent in masculinity, and she takes issue with feminists who see women “solely or predominantly as the victims of their histories.” Nevertheless, she calls sexual harassment “the great male performative, the act through which a man aims to convince his target not only that he is the one with the power, which is true, but also that his power and his sexuality are one and the same thing.” Though she does not believe “that all women are at risk from all men,” she concedes “that a woman does not say she is scared of a man without cause and that when she does so, we must listen.” Drawing on Freudian psychoanalytic theory, Rose sees violence as “part of the psyche,” characterizing violent behavior as “a crime of the deepest thoughtlessness. It is a sign that the mind has brutally blocked itself.” Feminists, she asserts, must reckon with “the extraordinary, often painful and mostly overlooked range of what the human mind is capable of.” Like Hannah Arendt, Rose sees violence as “a form of entitlement” inflamed by “illegitimate and/or waning power.” The abuse of refugees and asylum seekers, for example, reflects “the violence of colonial expansion” as well as a “fight to preserve the privilege of the few against the many.”
An intellectually probing analysis.Pub Date: May 18, 2021
ISBN: 978-0-374-28421-3
Page Count: 432
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
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