by Ethel Footman Smothers ‧ RELEASE DATE: Jan. 16, 1995
The author of Down in the Piny Woods (1992) returns to the pre-civil-rights era of her youth and a rural family based on her own, marvelously capturing the rhythms and cadence of spoken language in the narrative of ten-year-old Annie Rye. As in the previous work, the theme is racial hostility. Great- grandmother Moriah works for Ralph Daniels, a white landowner; his lonely daughter Betty Jean often makes friendly overtures toward Annie Rye and her older sisters, Brat and Maybaby. Annie Rye views Betty Jean with suspicion, and her antipathy intensifies after Daniels order Moriah to whip Brat—for drinking from his daughter's soda bottle. In the end, advice from older, wiser heads prompts an awkward but sincere reconciliation. The plot may wander, the supporting cast is not well visualized, but Annie Rye's vivid, captivating voice will draw readers as a griot draws listeners. (Fiction. 9-11)
Pub Date: Jan. 16, 1995
ISBN: 0-679-84504-6
Page Count: 112
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1995
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by Natalie Babbitt ‧ RELEASE DATE: Nov. 1, 1975
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
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by Valerie Worth & illustrated by Natalie Babbitt
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SEEN & HEARD
by Paul Fleischman & illustrated by Judy Pedersen ‧ RELEASE DATE: May 11, 1997
Using the multiple voices that made Bull Run (1995) so absorbing, Fleischman takes readers to a modern inner-city neighborhood and a different sort of battle, as bit by bit the handful of lima beans an immigrant child plants in an empty lot blossoms into a community garden, tended by a notably diverse group of local residents. It's not an easy victory: Toughened by the experience of putting her children through public school, Leona spends several days relentlessly bulling her way into government offices to get the lot's trash hauled away; others address the lack of readily available water, as well as problems with vandals and midnight dumpers; and though decades of waging peace on a small scale have made Sam an expert diplomat, he's unable to prevent racial and ethnic borders from forming. Still, the garden becomes a place where wounds heal, friendships form, and seeds of change are sown. Readers won't gain any great appreciation for the art and science of gardening from this, but they may come away understanding that people can work side by side despite vastly different motives, attitudes, skills, and cultural backgrounds. It's a worthy idea, accompanied by Pedersen's chapter-heading black-and-white portraits, providing advance information about the participants' races and, here and there, ages. (Fiction. 9-11)
Pub Date: May 11, 1997
ISBN: 0-06-027471-9
Page Count: 69
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
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by Paul Fleischman ; illustrated by Melissa Sweet
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