Alvarez and Field’s remarkable synthesis of word and image here makes for a seamless, powerfully evocative contemplation of...

WHERE DO THEY GO?

Two gifted Vermonters join forces to tackle the mysteries of death head-on.

A timeless question asked by children and adults alike brings together the voluminous talents of novelist, poet, and children’s author Alvarez and renowned woodblock artist Field. In this spare, rhymed poem, “Where do they go?” is the driving query of those left wondering and reckoning with loss “when somebody dies”: “Who can I ask? / Does anyone know? // Do they go where the wind goes / when it blows? // Do they fall with the rain / from the sky? / Are they my tears / when I cry?” Field’s visibly textured prints portray the bereaved here as, mostly, grade school–aged children of different races, allowing readers everywhere to relate. Especially moving are Field’s depictions of the departed in near-featureless blank white or black profile, vividly contrasting with the colorful, animated children longing to fill the absence of the missing loved ones. The text is laid out over and around the illustrations; calming horizontal lines of text and image complement one another on some pages, while on others the text is actively incorporated into the pictures. Without ever venturing an explicit explanation, Alvarez offers many tempting suggestions for those adapting to what remains and posits a wonderfully calming conclusion to a “small puzzle” that can sometimes prove large enough to unmoor those beset by loss of a loved one, especially for the first time.

Alvarez and Field’s remarkable synthesis of word and image here makes for a seamless, powerfully evocative contemplation of grief. (Picture book/poetry. 3-7)

Pub Date: Sept. 6, 2016

ISBN: 978-1-60980-670-5

Page Count: 24

Publisher: Triangle Square Books for Young Readers

Review Posted Online: Aug. 2, 2016

Kirkus Reviews Issue: Sept. 1, 2016

Did you like this book?

No Comments Yet

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

THE LITTLE GHOST WHO WAS A QUILT

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

Did you like this book?

No Comments Yet

Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

YOU MATTER

Employing a cast of diverse children reminiscent of that depicted in Another (2019), Robinson shows that every living entity has value.

After opening endpapers that depict an aerial view of a busy playground, the perspective shifts to a black child, ponytails tied with beaded elastics, peering into a microscope. So begins an exercise in perspective. From those bits of green life under the lens readers move to “Those who swim with the tide / and those who don’t.” They observe a “pest”—a mosquito biting a dinosaur, a “really gassy” planet, and a dog whose walker—a child in a pink hijab—has lost hold of the leash. Periodically, the examples are validated with the titular refrain. Textured paint strokes and collage elements contrast with uncluttered backgrounds that move from white to black to white. The black pages in the middle portion foreground scenes in space, including a black astronaut viewing Earth; the astronaut is holding an image of another black youngster who appears on the next spread flying a toy rocket and looking lonely. There are many such visual connections, creating emotional interest and invitations for conversation. The story’s conclusion spins full circle, repeating opening sentences with new scenarios. From the microscopic to the cosmic, word and image illuminate the message without a whiff of didacticism.

Whimsy, intelligence, and a subtle narrative thread make this rise to the top of a growing list of self-love titles. (Picture book. 4-7)

Pub Date: June 2, 2020

ISBN: 978-1-5344-2169-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

No Comments Yet
more