by Eugène Ionesco illustrated by Etienne Delessert translated by Etienne Delessert ‧ RELEASE DATE: Sept. 11, 2012
Handsomely designed, more silly than existentially “absurd” and just the ticket for sharing on a parental lap.
Four affectionately playful father-daughter exchanges written by a mainstay of the Theatre of the Absurd, back in print (in a single volume, to boot) after decades as collectors’ items.
Newly translated by Delessert from the 2009 French edition, this gathering also features the first appearance of his illustrations paired to any English version of Story 3 and Story 4. Each tale starts in the same way—little Josette coaxes an early morning flight of fancy from her father, who in three of the four is bleary from a long night on the town—but then veers off in increasingly elaborate directions. By the final one, he is repeatedly sending her to “look” for him in various rooms of the apartment while he shaves and dresses in the bathroom. Delessert’s crowded, detail-rich pictures add period elements (a dial telephone, a yellow submarine with visible Beatle) to surreal assemblages of toys, plush and fantasy animals, red-capped mushrooms, psychedelic flowers and cozy close-up scenes of Josette with Papa and (more occasionally, as she is generally elsewhere until the very end) Mama.
Handsomely designed, more silly than existentially “absurd” and just the ticket for sharing on a parental lap. (jacketed in a fold-out poster) (Picture book. 6-8)Pub Date: Sept. 11, 2012
ISBN: 978-1-936365-51-7
Page Count: 112
Publisher: McSweeney's McMullens
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Robert Munsch & illustrated by Dušan Petričić ‧ RELEASE DATE: Sept. 1, 2012
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...
The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.
Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)Pub Date: Sept. 1, 2012
ISBN: 978-1-55451-427-4
Page Count: 32
Publisher: Annick Press
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Emma Yarlett illustrated by Emma Yarlett ‧ RELEASE DATE: Dec. 1, 2018
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names...
A lad finds a big red dragon in his basement and wisely seeks expert advice about its care and feeding in this epistolary episode.
Young Alexander’s missives (there are no cellphones, nor parents, in sight) are mostly paraphrased rather than shown, but each response comes as a small note folded into a pocket that’s been printed and shaped like an envelope: “Douse it in water right away!” writes panic-stricken fire chief H.Y. Drant; find it a large house or castle, advises B. East of World Animal Welfare; “fatten it up,” suggests Angus Teak the butcher (“Look forward to [eating, scratched out] meeting your dragon”) with sinister relish. Boy and dragon have wonderful times together, but the ultimate realization that dragons really don’t make good pets leads the narrator to follow the written advice of best friend Hillary (“the wisest person I knew”) and set it free. The later arrival of a slightly burned picture postcard in the “post” reassures him that the dragon won’t be forgetting to keep in touch. The human figures in Yarlett’s cartoon illustrations are either white or have their heads cut off at the page top. With the exception of the pasted-on postcard from the dragon at the end, all of the correspondence is removable and thereby losable.
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names add some appeal. (Novelty. 6-8)Pub Date: Dec. 1, 2018
ISBN: 978-1-61067-818-6
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Aug. 26, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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