Known for witty, entertaining fantasies, Ibbotson (Dial-a-Ghost, p. 744, etc.) dispenses with magic wands and mythical creatures here and dishes up her best work yet—a topnotch 1910 adventure featuring exotic, vividly evoked locales, a caricature-rich cast filled with likeable (as well as thoroughly despicable) characters, and enough plot to fill an entire trilogy. Two years after the death of her parents, young Maia departs London’s Mayfair Academy For Young Ladies for Manaus, a remote town on the Amazon where the Carters, distant relatives, have at last been located. With her travels a new governess, Miss Arabella Minton, outwardly a cross between Mary Poppins and Atilla the Hun, inwardly a canny, resourceful, big-hearted sort with sadness in her past. Together, Maia and Miss Minton confront the Carters, as dysfunctional a crew as ever was, and also become involved in rescuing two more young orphans—one a penniless actor, the other a scion of a wealthy British aristocrat’s black-sheep son—from unpleasant fates. While skillfully weaving together numerous plot lines and suspense-intensifying complications—Maia and Miss Minton, for instance, love but do not come to understand or trust each other until nearly the end—the author gives her four central characters the inner stuff to cope with an array of challenging situations, and rewards them all with bright, diverse futures. And, of course, their prejudiced, mean-spirited adversaries get what they deserve in full measure. With a rain forest steeped in beauty and mystery for backdrop, this romp will transport not just Ibbotson’s fans, but legions of Potterites and their ilk as well. Illustrations not seen. (Fiction. 11-13)
Pub Date: Jan. 1, 2001
ISBN: 0-525-46739-4
Page Count: 336
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)
Pub Date: Feb. 1, 2001
ISBN: 0-385-32650-5
Page Count: 150
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)
An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”
The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)Pub Date: Sept. 13, 2011
ISBN: 978-0-374-37993-3
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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