Absorbing, thoughtful worldbuilding and adventure.
Sola unites the island peoples with a discovery about the Monster.
In this third series installment following The Infinite Land (2021), Alef’s coastal lands on the continent are threatened by encroaching waves. Alef has left Chief Hunder, disengaged and unsympathetic to the settlers’ fears about the danger posed by rising seas, in power. When Wick arrives with news that their friend Sola may have survived a shipwreck, Wick and Hunder must flee Alef’s furious response. Sola, now mother to a foundling (possibly the lost king of the continenters), has found refuge on a wave-washed island. Her hope, along with that of Wick, Hunder, and her friend Esha, lies with a marvelous, motley flotilla of vessels belonging to different island cultures, all with intriguingly varied rigging and hulls. Conversations—terse and telegraphic—reveal the determination of Sola and those represented in the flotilla to embrace cooperative survival. In contrast with Alef’s plan to displace the continenters with his own followers and move farther inland, Sola accepts that the sea will create separate islands. Illustrations rich with, by turns, action, silence, and backstory carry the narrative along with the spare dialogue. The cast of bipedal, binocular nonhuman people features distinctive skin colors and countenances. Dahm’s impressively compact storytelling often seems to encompass entire conversations, events, and ideas in a few frames and a few words.
Absorbing, thoughtful worldbuilding and adventure. (Graphic fantasy. 9-13)Pub Date: June 7, 2022
ISBN: 978-1-250-23631-9
Page Count: 288
Publisher: First Second
Review Posted Online: March 28, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK TO SCREEN
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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