A convincing indictment of elite colleges for reproducing inequality while hiding behind their historical clout.
A potent investigation into how elite colleges and universities in the U.S. perpetuate economic inequalities and fail to properly address the country’s ongoing racial divide.
NoneMany people believe that private, elite colleges reward merit and hard work, and while that may be true, there are countless other factors at play. Mandery—a Harvard graduate, Emmy and Peabody winner, and author of A Wild Justice: The Death and Resurrection of Capital Punishment in America, among other books—plainly shows how “elite colleges are guilty of cementing, reproducing, and exacerbating inequality in America.” Ivy League colleges, and others of their ilk, open their doors mainly to those least in need. “For the overwhelming majority,” the author notes, “they take children who have been the beneficiary of a lifetime of privilege, convert that privilege into a degree of value, steer these students into careers in finance, cultivate disdain for those who work for the common good, [and] systematically disadvantage the handful of poor students of color who manage to make it through their gates.” On the other hand, public universities are “producing the lion’s share of upward mobility” and encouraging public service careers. The trend of excluding talented, low-income students from elite colleges is exacerbated by standardized testing biases, tax exemptions for higher education, the hoarding of endowments, and admissions criteria privileging legacy students and accomplishments (science fair awards, volunteering, expensive extracurricular activities, etc.) that favor affluent applicants. Mandery offers a variety of strategies to counter this problem—e.g., basing admissions decisions on high school rank and increasing the sizes of entering classes. Of course, students attend college for reasons other than status: gaining access to specific occupations, transitioning to adulthood, or just the sheer joy of learning. Living a decent and satisfying life, as Mandery shows, hardly depends on a degree from Harvard or Princeton.
A convincing indictment of elite colleges for reproducing inequality while hiding behind their historical clout.Pub Date: Oct. 25, 2022
ISBN: 978-1-62097-695-1
Page Count: 384
Publisher: The New Press
Review Posted Online: July 4, 2022
Kirkus Reviews Issue: Aug. 1, 2022
BOOK REVIEW
BOOK REVIEW
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Crafted with honesty and wry comedic flair, these essays are both engaging and enraging.
Powerful essays offers an incisive glimpse into life as a Black man in America.
In this collection, Walker demonstrates the keen intellect and direct style that characterized his acclaimed 2010 memoir, Street Shadows. In an account of how he was racially profiled by a security guard at Emerson College, where he teaches creative writing, the author deftly combines both humor and humanity without obscuring the impact of such experiences on him as a husband, father, son, and educator. “The stories I favor,” he writes, “are not only upsetting but also uplifting; they are rich with irony and tinged with humor; they are unique, in some way, and lend themselves to interesting digressions, and their protagonists always confront villains, even if not always with success—when I come into a race story with these components, I prefer to delay its telling, allowing it to breathe, so to speak, like a newly uncorked Merlot.” Walker candidly considers his struggles discussing race with his children; clearly depicts the racism embedded in restaurant seating arrangements; and expressively recounts the terrifying spiral of fear, anger, and distress he experienced after seeking medical attention for his son, who had suffered multiple seizures. The author’s no-nonsense, few-words-wasted approach lends itself just as readily to an account of the exhilaration he and his siblings felt while watching the The Jackson 5ive cartoon in their family’s religious household in 1971: “Breaking the Sabbath was a violation of God’s law, pretty significant stuff, but then so, too, was an all-Negro cartoon.” In the moving “Dragon Slayers,” Walker shows how James Alan McPherson, an instructor at the Iowa Writers’ Workshop, changed his outlook and approach as a writer. “My stories showed people being affected by drug addiction, racism, poverty, murder, crime, violence,” he writes, “but they said nothing about the spirit that, despite being confronted with what often amounted to certain defeat, would continue to struggle and aspire for something better.”
Crafted with honesty and wry comedic flair, these essays are both engaging and enraging.Pub Date: Nov. 2, 2020
ISBN: 978-0-8142-5599-5
Page Count: 152
Publisher: Mad Creek/Ohio State Univ. Press
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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