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THE WORLD IN FLAMES

A BLACK BOYHOOD IN A WHITE SUPREMACIST DOOMSDAY CULT

The key to the memoir’s cumulative power is Walker’s narrative command; the rite of passage is rockier than most, making the...

A memoir in which a young boy comes to terms with the religious cult that had given his family hope.

In this follow-up to the author’s Street Shadows: A Memoir of Race, Rebellion, and Redemption (2011), a debut that proved a breakthrough in terms of awards and recognition, the focus is tighter and the narrative challenge considerable, as Walker (Creative Writing/Emerson Coll.) assumes the perspective of the boy he was from ages 6 through 14, in a black family belonging to the overwhelmingly white (and segregationist) Worldwide Church of God. Its charismatic founder, Herbert W. Armstrong, had prophesied that only the anointed “chosen” would find redemption upon the Earth’s imminent destruction. Young “Jerry” would barely be 11 years old when this would happen, and he accepted the prophecy on faith, though the specifics of his religion confused his young mind. His alcoholic, epileptic father and his mother—both blind—had embraced the cult in part because they thought sight would be their reward. They also had some secrets in their pasts that their son would only learn later. As the predicted apocalypse of 1975 failed to happen and the boy matured and experienced more of the world, he lost faith in the church, as did other congregants and members of his family. He found himself torn between Armstrong’s vision of a better life to come and the streetwise testimony of Iceberg Slim and other hustlers. At a pivotal point, he writes, “my life isn’t becoming a real horror show, I’m thinking. It’s been one for a long time.” He asked his older brother, “How do you un-believe a belief?” and he learned “how the world is full of deception, how very few people can really be trusted, how it’s important that I learn to think and make decisions on my own.”

The key to the memoir’s cumulative power is Walker’s narrative command; the rite of passage is rockier than most, making the redemption well-earned.

Pub Date: Sept. 6, 2016

ISBN: 978-0-8070-2750-9

Page Count: 208

Publisher: Beacon Press

Review Posted Online: June 7, 2016

Kirkus Reviews Issue: July 1, 2016

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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