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HELLO, MOON

Learning, empathy, and wonder in an ever shifting luminous landscape.

A look at the many faces and phases of the moon and a child’s understanding of the natural world.

A child with beige skin and curly dark hair points out the window at the full moon, eager to go say hello. Together, the child and a caregiver bundle up against the wintry chill and head out on the first of many nocturnal jaunts to explore the various shapes and phases of the moon. One night, the child expresses concern about the disappearing moon. The caregiver reassures the child that all is well (“It sounds like the Moon is feeling shy. Should we go out and say hello?”), and the two sit with and comfort the moon as it slowly disappears over a period of two weeks, a process depicted in graphic novel–like panels. In an unexpected surprise, the child and caregiver appear etched white against a moonless blue-purple sky. Loose lines and expressive faces convey the closeness between the child and caregiver. Though the text is quiet and fairly straightforward, striking angles and perspectives keep each spread vibrant and eye-catching. Orblike shapes echo throughout the book—for instance, the child’s head. Warm reds, yellows, and purples used to portray indoor scenes transform into thinner, flatter hues in the cold moonlight, and a marbleized texture lends depth and movement to each illustration. This one pairs well with Jane Yolen’s Owl Moon (1987), illustrated by John Schoenherr, with a unique art style perfect for bedtime and library storytime alike, with age-appropriate STEM opportunities as well. (This book was reviewed digitally.)

Learning, empathy, and wonder in an ever shifting luminous landscape. (Picture book. 3-7)

Pub Date: Sept. 20, 2022

ISBN: 978-1-5344-0080-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: June 7, 2022

Kirkus Reviews Issue: July 1, 2022

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PAPA DOESN'T DO ANYTHING!

A tale of intergenerational bonding to be shared by grandparents and grandchildren.

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In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.

Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.

A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)

Pub Date: May 13, 2025

ISBN: 9781250393975

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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