by Evelin Sullivan ‧ RELEASE DATE: Aug. 1, 2001
A true pleasure: Lying has come in for its fair share of philosophical analysis, but rarely has it been so well written...
Another treatment of one of humanity’s oldest traits (also see Jeremy Campbell, above).
Considering how common lying is, it’s a wonder that there are not more popular accounts of it. Sullivan (Four of Fools, 1995, etc.) has done us a service with her compact and literate take on our ancient capacity for deception. Beginning at the beginning with lying’s biblical pedigree, she places deception at the very dawn of human consciousness. Moving on to the how’s and why’s of lying, she discusses in detail why people lie and how they do so effectively. Holding up Othello’s Iago as the “perfect liar,” Sullivan illustrates the many tactics of the deceiver as employed by Shakespeare’s most odious villain. She also elucidates the similarities in the arts of lying, fiction, and acting—explaining, for example, why the Bard had such a talent for describing scoundrels. The often-high personal and social costs of lying (whether they entail the loss of personal credibility or the poisoning of social and political life) take up much of the analysis, and Sullivan discusses the various strategies, ancient and modern, used to confound deceivers and get at the truth. She questions the reliability of modern lie-detector tests, comparing them to the medieval tradition of the ordeal—wherein the truth or falsehood of a man’s word was determined by how well he endured a variety of unpleasant torments. (The ordeal itself is the subject of an entire chapter, with a detailed account of its underlying theological logic as well as its more sanguinary aspects.) One of the most fascinating chapters catalogues the uses of deception in the natural world—underscoring that the power of misdirection is not a human monopoly.
A true pleasure: Lying has come in for its fair share of philosophical analysis, but rarely has it been so well written about, or had more light shed on its true nature.Pub Date: Aug. 1, 2001
ISBN: 0-374-12868-5
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2001
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by Ben Katchor illustrated by Ben Katchor ‧ RELEASE DATE: March 10, 2020
An informative, nostalgic evocation of a special urban dining experience.
An account of once-popular New York restaurants that had a rich social and cultural history.
“Since, by choice or historical necessity, exile and travel were defining aspects of Jewish life, somewhere a Jew was always eating out,” observes cartoonist and MacArthur fellow Katchor (Illustration/Parsons, the New School; Hand-Drying in America, 2013, etc.) in his exhaustively researched, entertaining, and profusely illustrated history of Jewish dining preferences and practices. The Garden of Eden, he notes wryly, was “the first private eating place open to the public,” serving as a model for all the restaurants that came after: cafes, cafeterias, buffets, milk halls, lunch counters, diners, delicatessens, and, especially, dairy restaurants, a favorite destination among New York Jews, which Katchor remembers from his wanderings around the city as a young adult. Dairy restaurants, because they served no meat, attracted diners who observed kosher laws; many boasted a long menu that included items such as mushroom cutlet, blintzes, broiled fish, vegetarian liver, and fried eggplant steak. Attracted by the homey appearance and “forlorn” atmosphere of these restaurants, Katchor set out to uncover their history, engaging in years of “aimless reading in the libraries of New York and on the pages of the internet,” where he found menus, memoirs, telephone directories, newspaper ads, fiction, and food histories that fill the pages of his book with colorful anecdotes, trivia, and food lore. Although dairy restaurants were popular with Jewish immigrants, their advent in the U.S. predated immigrants’ demand for Eastern European meatless dishes. The milk hall, often located in parks, resorts, or spas, gained popularity throughout 19th-century Europe. Franz Kafka, for example, treated himself to a glass of sour milk from a milk pavilion after a day in a Prague park. Jews were not alone in embracing vegetarianism. In Europe and America, shunning meat was inspired by several causes, including utopian socialism, which sought to distance itself from “the beef-eating aristocracy”; ethical preferences; and health concerns. A meatless diet relieved digestive problems, many sufferers found.
An informative, nostalgic evocation of a special urban dining experience.Pub Date: March 10, 2020
ISBN: 978-0-8052-4219-5
Page Count: 496
Publisher: Schocken
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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PERSPECTIVES
by Annie Dillard ‧ RELEASE DATE: March 13, 1974
This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.
Pub Date: March 13, 1974
ISBN: 0061233323
Page Count: -
Publisher: Harper's Magazine Press
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: March 1, 1974
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