Inhabiting this tender love story is a gentle giantess who lives in isolation at the edge of the woods so that she won't scare people with her towering height. When a friendly woodsman builds a house nearby, his affection for his reclusive neighbor grows, even after he learns of her true size. He doesn't tell her what he knows, but invites her to the town carnival, letting her know that she'll ``see everything there from elves and fairies to witches and giants.'' The giantess is overjoyed to be mingling with people, and, at the carnival, she is surprised by admirers of her ``costume,'' all of whom point out the benefits of being very tall, and all of whom accept her when she confesses her height. The giantess gains self-esteem, gets her man, and lives happily ever after. This sweet story, translated from the German, will capture the hearts of young romantics. Seelig's timeless art does not play down the heroine's size—she is large among the other carnival attendees, but she is also lovely; the illustrations are perfect in their soft, misty beauty. (Picture book/folklore. 4-7)
Pub Date: Oct. 1, 1997
ISBN: 0-916291-76-6
Page Count: 32
Publisher: Kane Miller
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Desperation confused for hysterics.
Harris’ latest makes an urgent plea for somber reflection.
“Stop! Stop!! Stop!!!” Right from the get-go, readers are presented with three rules for reading this book (“Don’t look at this book!” “Do look at your listener!” “Get your listener to look at you!”). But the true lesson is in the title itself: If anyone listening to this book laughs, you have to start it all over. Challenge accepted? Good. Sheer frenetic energy propels what passes for a narrative as the book uses every trick up its sleeve to give kids the giggles. Silly names, ridiculous premises, and kooky art combine, all attempting some level of hilarity. Bloch’s art provides a visual cacophony of collaged elements, all jostling for the audience’s attention. Heavily influenced by similar fourth wall–busting titles like The Stinky Cheese Man and Other Fairly Stupid Tales (1992) by Jon Scieszka, illustrated by Lane Smith, and the more contemporary The Book With No Pictures (2014) by B.J. Novak, these attempts to win over readers and make them laugh will result in less giggles than one might imagine. In the end, the ultimate success of this book may rest less on the art or text and more on the strength of the reader’s presentation. (This book was reviewed digitally.)
Desperation confused for hysterics. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-316-42488-2
Page Count: 40
Publisher: Little, Brown
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina...
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up.
Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields.
Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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