Healthy skepticism dealt with a sometimes too-heavy hand, and a useful corrective for those who believe that we’ll somehow...
More righteous technological contrarianism from Morozov (The Net Delusion, 2011, etc.).
Can technology solve social problems? To an extent, perhaps, writes the author. But for every Utopian application of a computer, dystopia awaits: Technology may afford hitherto disenfranchised or at least undercounted people an equal voice, but inside the world of clicks, likes and read-throughs lurk dragons. Morozov, who calls himself a “digital heretic,” doesn’t offer fully fleshed solutions to the problems a detechnologized world poses, but he dislikes the thought of the “frictionless future” all the same, even if its contours are sometimes vague. Having had experience with totalitarianism, Morozov is bothered by the prospect of social engineers having ever brighter and shinier tools at their disposal: “All will be tempted to exploit the power of these new techniques, either individually or in combination, to solve a particular problem, be it obesity, climate change, or congestion.” It’s not that those problems aren’t real; it’s that, by Morozov’s account, what underlies them are things human and not technological, requiring human solutions. Thus it is, he writes, that the brave new world of online education may be exciting to many, but it overlooks a strong component of academic success—namely, the face-to-face (F2F, that is) access students have to their professors. And as for a disintermediating site such as Rate Your Professors? It’s just another avatar, writes Morozov, of the introduction of “the consumerist mentality into education.”
Healthy skepticism dealt with a sometimes too-heavy hand, and a useful corrective for those who believe that we’ll somehow engineer ourselves out of our current mess.Pub Date: March 5, 2013
ISBN: 978-1610391382
Page Count: 432
Publisher: PublicAffairs
Review Posted Online: Jan. 19, 2013
Kirkus Reviews Issue: Feb. 1, 2013
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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