Adventure, inventiveness, and humor merge in this quirky, appealing tale.
A space-traveling girl continues gathering items to help save her alien friend’s sister in this third series outing.
In two previous children’s books, 8-year-old Amelia, a white girl with reddish hair, agreed to help Uglesnoo, a three-armed purple alien from Pluto, cure his ailing sister. A repelling crystal from Neptune will heal her, but that planet’s Queen Neep will barter it only in exchange for a long list of objects from around the solar system. Some the duo has already collected, like five boxes of dandelions from Earth. Next on the list: five pairs of flying shoes from Mercury, inhabited by Merballs. Hostile Venutons of Venus, the twosome’s last stop, try to prevent Amelia and Uglesnoo from trading with the Merballs (“Do not keep these criminals. Bring us the prisoners”). But the Merballs are basically friendly and don’t want trouble. They have problems of their own: They are suffering from asteroid strikes that create a sickening fog of dust, hospitalizing many. After another asteroid hit, Amelia and Uglesnoo come under suspicion and are briefly imprisoned. They fall into an old iron mine, from which they escape. Amelia develops a cunning plan to smash the asteroids with a cannon of her design, using raw materials from the mine. If she’s successful and a grateful Empress Ping rewards them with flying shoes, they’ll be one step closer to curing Uglesnoo’s sister—and maybe Amelia will have a chance to try out Mercury’s inviting slide transportation system. Blanchard (Amelia, the Venutons and the Golden Cage, 2016, etc.) writes a fast-paced tale with a young heroine who’s a quick thinker. Designing and crafting the cannon shows Amelia’s ingenuity and reflects the current interest in maker culture. There’s also plenty of silly fun, such as the green slime floor in the prison cell that almost engulfs Amelia and Uglesnoo, as well as cool tech, like the Plutonian’s multifunctional bed, which plays a role in their escape. Palmisano’s (An Amazing Circus of Phonograms, 2017) illustrations are colorful and three-dimensional, the mix of Earth and alien characters having a family resemblance in their googly eyes.
Adventure, inventiveness, and humor merge in this quirky, appealing tale.Pub Date: June 19, 2018
ISBN: 978-1-981496-11-2
Page Count: 70
Publisher: CreateSpace
Review Posted Online: Sept. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
PERSPECTIVES
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