Adventure, inventiveness, and humor merge in this quirky, appealing tale.
A space-traveling girl continues gathering items to help save her alien friend’s sister in this third series outing.
In two previous children’s books, 8-year-old Amelia, a white girl with reddish hair, agreed to help Uglesnoo, a three-armed purple alien from Pluto, cure his ailing sister. A repelling crystal from Neptune will heal her, but that planet’s Queen Neep will barter it only in exchange for a long list of objects from around the solar system. Some the duo has already collected, like five boxes of dandelions from Earth. Next on the list: five pairs of flying shoes from Mercury, inhabited by Merballs. Hostile Venutons of Venus, the twosome’s last stop, try to prevent Amelia and Uglesnoo from trading with the Merballs (“Do not keep these criminals. Bring us the prisoners”). But the Merballs are basically friendly and don’t want trouble. They have problems of their own: They are suffering from asteroid strikes that create a sickening fog of dust, hospitalizing many. After another asteroid hit, Amelia and Uglesnoo come under suspicion and are briefly imprisoned. They fall into an old iron mine, from which they escape. Amelia develops a cunning plan to smash the asteroids with a cannon of her design, using raw materials from the mine. If she’s successful and a grateful Empress Ping rewards them with flying shoes, they’ll be one step closer to curing Uglesnoo’s sister—and maybe Amelia will have a chance to try out Mercury’s inviting slide transportation system. Blanchard (Amelia, the Venutons and the Golden Cage, 2016, etc.) writes a fast-paced tale with a young heroine who’s a quick thinker. Designing and crafting the cannon shows Amelia’s ingenuity and reflects the current interest in maker culture. There’s also plenty of silly fun, such as the green slime floor in the prison cell that almost engulfs Amelia and Uglesnoo, as well as cool tech, like the Plutonian’s multifunctional bed, which plays a role in their escape. Palmisano’s (An Amazing Circus of Phonograms, 2017) illustrations are colorful and three-dimensional, the mix of Earth and alien characters having a family resemblance in their googly eyes.
Adventure, inventiveness, and humor merge in this quirky, appealing tale.Pub Date: June 19, 2018
ISBN: 978-1-981496-11-2
Page Count: 70
Publisher: CreateSpace
Review Posted Online: Sept. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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