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POUND/WILLIAMS

SELECTED CORRESPONDENCE OF EZRA POUND AND WILLIAM CARLOS WILLIAMS

Spanning nearly a lifetime, from 1907 to 1963, the friendship between ``Liebes Ezrachen'' and ``Deer Bull'' makes up, in Pound's words, ``two halves of what might have made a fairly decent poet'' divided by ``the wide atlantic ocean.'' Their more than 50 years of animated letters started after a friendship at the University of Pennsylvania, continued through their ties to Imagism, then endured as they pursued their differing yet consonant ideas of poetry. The cosmopolitan Pound took up with expatriate T.S. Eliot (whom Williams detested) and began his inexhaustible Cantos; Williams stayed a suburban doctor-poet, championing American poets such as Marianne Moore and fashioning his own Objectivist poetry. But their always lively postal exchanges, which Williams used in his epic Paterson, extended over serious criticism of each other's work, literary gossip, recommended reading, and arguments over poetry and national identity. The peculiar intimacy of their relationship meant they disagreed repeatedly, but eventually, as this collection illustrates, it was strained by Pound's anti-Semitism and Mussolini worship until the epistolary blackout during WW II, when Pound made his treasonous broadcasts. Although Williams thought Pound was a traitor evading his fate in St. Elizabeth's asylum, their correspondence continued, Pound writing in his eclectic idiolect, Williams responding thoughtfully and at length. Unfortunately, the later scandal over Pound's award for the Pisan Cantos in 1949 and Williams's problems during the Red Scare are absent from their correspondence. Editor Witemeyer (English/Univ. of New Mexico), in addition to contributing useful introductions to each period and a sizeable ``who's who'' appendix, diligently footnotes as many references and allusions as he can (some notes are longer than the letters). A fascinating record, and a double window into the biographies of two major poets.

Pub Date: March 29, 1996

ISBN: 0-8112-1301-3

Page Count: 480

Publisher: New Directions

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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