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POUND/WILLIAMS

SELECTED CORRESPONDENCE OF EZRA POUND AND WILLIAM CARLOS WILLIAMS

Spanning nearly a lifetime, from 1907 to 1963, the friendship between ``Liebes Ezrachen'' and ``Deer Bull'' makes up, in Pound's words, ``two halves of what might have made a fairly decent poet'' divided by ``the wide atlantic ocean.'' Their more than 50 years of animated letters started after a friendship at the University of Pennsylvania, continued through their ties to Imagism, then endured as they pursued their differing yet consonant ideas of poetry. The cosmopolitan Pound took up with expatriate T.S. Eliot (whom Williams detested) and began his inexhaustible Cantos; Williams stayed a suburban doctor-poet, championing American poets such as Marianne Moore and fashioning his own Objectivist poetry. But their always lively postal exchanges, which Williams used in his epic Paterson, extended over serious criticism of each other's work, literary gossip, recommended reading, and arguments over poetry and national identity. The peculiar intimacy of their relationship meant they disagreed repeatedly, but eventually, as this collection illustrates, it was strained by Pound's anti-Semitism and Mussolini worship until the epistolary blackout during WW II, when Pound made his treasonous broadcasts. Although Williams thought Pound was a traitor evading his fate in St. Elizabeth's asylum, their correspondence continued, Pound writing in his eclectic idiolect, Williams responding thoughtfully and at length. Unfortunately, the later scandal over Pound's award for the Pisan Cantos in 1949 and Williams's problems during the Red Scare are absent from their correspondence. Editor Witemeyer (English/Univ. of New Mexico), in addition to contributing useful introductions to each period and a sizeable ``who's who'' appendix, diligently footnotes as many references and allusions as he can (some notes are longer than the letters). A fascinating record, and a double window into the biographies of two major poets.

Pub Date: March 29, 1996

ISBN: 0-8112-1301-3

Page Count: 480

Publisher: New Directions

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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