A rich and reeking swamp full of exploitation, despair, violence, and summary justice.
Capt. Delia Mariola of the Baxter Police struggles to contain a tidal wave of felonies spewing forth uncontrolled from a place where she has no jurisdiction.
Moments after Nissan announced its plans to build a new auto assembly plant just over the line in Sprague County, Boomtown, an enclave of trailers and Quonset huts financed by shadowy figures who’d just as soon stay shadowy, sprang up to accommodate all those construction workers. Faced with nonnegotiable deadlines for every stage, the workers are naturally eager to fill their time off with life’s simple pleasures: drugs, gambling, whores. New York gang leader Ricky Ricci, spotting an opportunity from more than a thousand miles away, has designated ambitious Charlie Setter manager of Boomtown’s criminal operations. That’s why Charlie, in Carter’s opening scene, is driving through town with the body of overdosed prostitute Corey Miller in his trunk, ultimately ditching her in Oakland Gardens when enforcer Dominick Costa announces that the ground is too frozen to dig a grave. Determined to end any competition from the Horde, a local gang, Charlie executes biker/pimp Titus Klint when he won’t listen to reason, and the discovery of both corpses puts him squarely in the crosshairs of Delia—and of Aaron and Maggie Miller, Corey’s father and sister, who respond without advance notice to a “DO YOU KNOW THIS WOMAN?” poster bent on revenge and highly skeptical that it can be brought about through official channels. Carter uses the alternating perspectives of Charlie, Delia, and Maggie to explore the moral, legal, and sociological depths of Boomtown, subordinating mysterymongering to a pitiless anatomy of a Midwestern hell. The most striking feature of Carter's representation of Delia is that although she's utterly tough and professional in her job and open about her relationship with child-abuse investigator Zoe Parillo, she's surprisingly bashful about appearing with Zoe in public as a couple in her conservative Midwestern town. This conflict at once humanizes her and complicates her relationship to the hometown she's sworn to protect and serve.
A rich and reeking swamp full of exploitation, despair, violence, and summary justice.Pub Date: Sept. 12, 2023
ISBN: 9781613164532
Page Count: 312
Publisher: Mysterious Press
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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