Near-future science fiction thriller from the authors of Mirage (1996). “Mimes” are artificial humans whose sex chromosomes have been replaced by the Goleman chromosome: Using a template disk, they can “flux” into any body shape. Slaves of the predatory corporate-city “gloms,” mimes live only to gain Selfhood, freedom, and a permanent body form. Mime Tristan’s last mission for his handler, Cyrill of Kaze Glom, is to steal a McGuffin from the heavily defended Citadel of deadly rival Flagge Glom. To gain entry to the Citadel, Tristan must take the body shape of Flagge “datameister” Lani Rouge using Kaze’s newly invented writable template. Before he steals her appearance, however, Lani recognizes Tristan’s current template: It’s Trev, Lani’s now-dead ex-lover, a bioengineer deeply involved in a secret free-the-mimes resistance group. Tristan, meanwhile, duplicates Lani, steals what be needs, and escapes into the freezone, where he meets Okasan, the legendary leader of Trev’s group. Okasan says that mimes remain slaves of the gloms forever, but Tristan doesn’t believe her—until, having reported to Cyrill, he learns that Flagge allowed him to escape after contaminating him with a deadly virus that swiftly wipes out all of Kaze’s other mimes. Worse, Flagge then grabs Lani and Okasan’she’s really Teresa Coleman!’so Tristan must make some decisions about who to trust before he embarks on a rescue mission. Impressive visual effects, B-movie plot, and villains that stay mostly off-stage: an unconvincing yarn, with its glowing, vacuous gaze fixed on Hollywood. (Movie rights to Polygram Pictures)
Pub Date: April 30, 1998
ISBN: 0-446-51977-4
Page Count: 352
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1998
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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