Wilson switches from horror (Nightworld, 1992) to medical suspense and strikes notes that harmonize Robin Cook's Coma with John Grisham's The Firm and The Pelican Brief. The evidence is that he's livelier at horror. As in Grisham's The Firm, Wilson posits a superrich fantasy establishment—The Ingraham College of Medicine—that offers state- of-the-art equipment and a vastly high-level education, all of it tuition-free!—if you can only fit the profile demanded by the faculty. Yes, any outfit this fantastic must have something wrong with it, even though it's funded by the Kleederman Foundation and based on the Kleederman billions from advanced drugs. For one thing, you aren't allowed to leave the campus and break the school's spell on you. It's young Quinn Clery, one of the very few young women admitted to first-year studies, who accidentally breaks through the veil hiding The Ingraham's activities from the outer world. There's absolutely no doubt that The Ingraham and the Kleederman Foundation do good work, save lives with new drugs, and focus much of their research on poor inner-city hospitals, where most graduates wind up. All very noble. But Quinn's boyfriend- -fellow student Tim Brown, a whiz with a photographic memory who induces her to take a short trip with him to Atlantic City, where he counts cards at blackjack and wins $2,000 in an hour—discovers the reason why Quinn seems never quite to fit in at the college: all students' beds are bugged with electronic devices for subliminally influencing them into becoming inner-city patriots of medicine, but Quinn's bug apparently doesn't work on her, and she forever brings up arguments against the school's do-gooder ethic. It turns out that The Ingraham is actually a warehouse for illegally testing advanced drugs on living patients, the same job practiced by the do-gooders in the inner-city hospitals.... Opens strongly but that feeble chase-ending defeats praise.
Pub Date: Feb. 18, 1994
ISBN: 0-688-04618-5
Page Count: 356
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1993
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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