A disappointing stand-in for the original.
Nearly a century after its first publication, the English class mainstay is presented in graphic form, presenting the story of Nick, a young man who rents a mansion in Long Island for the summer, and an enigmatic party host named Gatsby.
Fitzgerald’s dialogue appears in speech bubbles while Nick’s signature nonjudgmental judgments are woven into the art itself, appearing in the beam of a lightbulb, the shadow of the self-important Tom Buchanan’s imposing frame, or the chaise that Daisy Buchanan and Jordan Baker seemingly ceaselessly lounge on. Woodman-Maynard’s adaptation of the text is understandably quite abridged, but it does the book no favors. The great revelation that Gatsby is (spoiler alert) not a trust fund kid but an imposter is afforded a single page, and the fact of his past affair with Daisy is so murkily depicted that it feels less tragic romance and more moony boy and Manic Pixie Dream Girl. The class issues that make the original novel so compelling are thus less than adequately examined. Where the book truly shines is in a few striking images, some metaphorical and some text based, rendered in cool, languid watercolor and digital art. As Woodman-Maynard indicates in the author’s note, those who are not familiar with the novel should begin there; those more familiar with the story will be able to fill in the gaps as they read this condensed version.
A disappointing stand-in for the original. (author's note) (Graphic fiction. 14-adult)Pub Date: Jan. 5, 2021
ISBN: 978-1-5362-1301-0
Page Count: 240
Publisher: Candlewick
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Very mighty indeed.
A comic-book riff on the classic tale of “Jack and the Beanstalk,” in which an impoverished young boy learns that his new garden has a mind of its own.
Jack certainly doesn't have an easy life: with past-due notices piling up, his mother works all the time, leaving him to care for his nearly mute autistic sister, Maddy. One fateful day at a flea market, he happens upon a vendor (whom fans of Hatke's Zita the Spacegirl will immediately recognize) who offers him a mysterious box of seeds in exchange for his mother's car. Maddy and Jack accept his deal and quickly discover that these seeds are anything but ordinary—they are magical and dangerous. Joined by his home-schooled neighbor Lilly, the white children spend their summer learning the quirks and magic of the garden until they unearth an evil lurking within it. Hatke is a master visual storyteller; through sparse, carefully chosen text, his largely image-based story enthralls from one action-packed panel to the next. His interpretation of the familiar fairy tale is richly imagined, giving girls—including one on the spectrum—equal weight in the adventure rather than staying true to the male-dominated original. This first in a series flourishes up to its nail-biting cliffhanger: expect interest for the subsequent offering to positively bloom.
Very mighty indeed. (Graphic fantasy. 7-13)Pub Date: Sept. 6, 2016
ISBN: 978-1-62672-264-4
Page Count: 208
Publisher: First Second
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A timely and unabashedly feminist twist on a classic fairy tale.
Sixteen-year-old Bisou Martel’s life takes a profound turn after encountering an aggressive wolf.
Following an embarrassing incident between Bisou and her boyfriend, James, after the homecoming dance, a humiliated Bisou runs into the Pacific Northwest woods. There, she kills a giant wolf who viciously attacks her, upending the quiet life she’s lived with her Mémé, a poet, since her mother’s violent death. The next day it’s revealed that her classmate Tucker— who drunkenly came on to her at the dance—was found dead in the woods with wounds identical to the ones Bisou inflicted on the wolf. When she rescues Keisha, an outspoken journalist for the school paper, from a similar wolf attack, Bisou gains an ally, and her Mémé reveals her bloody and brave legacy, which is inextricably tied to the moon and her menstrual cycle. Bisou needs her new powers in the coming days, as more wolves lie in wait. Arnold (Damsel, 2018, etc.) uses an intriguing blend of magic realism, lyrical prose, and imagery that evokes intimate physical and emotional aspects of young womanhood. Bisou’s loving relationship with gentle, kind James contrasts with the frank exploration of male entitlement and the disturbing incel phenomenon. Bisou and Mémé seem to be white, Keisha is cued as black, James has light-brown skin and black eyes, and there is diversity in the supporting cast.
A timely and unabashedly feminist twist on a classic fairy tale. (Fantasy. 14-18)Pub Date: Feb. 25, 2020
ISBN: 978-0-06-274235-3
Page Count: 368
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 18, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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