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WHO IS WELLNESS FOR?

AN EXAMINATION OF WELLNESS CULTURE AND WHO IT LEAVES BEHIND

A vulnerable, intensely trenchant analysis of the ways capitalism denies wellness for so many around the world.

An exploration of the ways in which the wellness industry simultaneously commoditizes non-White cultures and renders services inaccessible to marginalized peoples.

Róisín, a freelance writer who was raised Muslim by Bengali parents in Australia, frames the book with the question: “If [wellness] was for someone like me, pilfered from my very own culture, then why couldn’t I afford it?” Seeking to answer this question and others, the author divides the narrative into four sections—mind, body, self-care, and justice—each of which weaves a specific aspect of health care in with Róisín’s personal experiences. In the section on the mind, for example, the author interrogates how her abusive mother’s lack of access to therapy passed on intergenerational mental trauma. During her healing process, Róisín began practicing meditation, which she later found out had been divorced from its ancient Indian roots to make it more palatable to Western nations and easier to commodify in a capitalist society. In the section on the body, the author explores how her history as a survivor of sexual abuse instilled in her the harmful belief that her body was not actually her own. She then documents how a massage therapist who had previously helped her gain relief from the physical manifestations of abuse on her muscles violated her trust by callously discussing a highly publicized incest case in a moment when the author sought refuge from the triggering news cycles. Ultimately, Róisín calls for a more sustainable, equitable approach to healing. Only occasionally dense, the author’s prose is engaging, and she delves into her past with vulnerability and self-compassion. The book is deeply researched and laudably includes the work of a variety of Black and Indigenous scholars to make a unique and relevant case for the need for greater accessibility to healing.

A vulnerable, intensely trenchant analysis of the ways capitalism denies wellness for so many around the world.

Pub Date: June 14, 2022

ISBN: 978-0-06-307708-9

Page Count: 320

Publisher: Harper Wave

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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I'LL HAVE WHAT SHE'S HAVING

A pleasingly unformulaic book of hard-won advice that never rings false.

The comic and television personality turns serious—semi-serious, anyway—in a combination memoir and self-help book.

Handler opens these generally short essays with a memory of childhood that closes with the exhortation to keep the child within us alive into adulthood: “Hold on to that child tightly, as if she were your own, because she is.” The memory soon veers into the comically absurd, with an account of a cocaine-fueled cross-country trip with a random companion who looked like another TV personality: “I don’t know if Dog the Bounty Hunter does copious amounts of cocaine, but he sure looks like he does.” Drugs and juice are seldom far from the proceedings, but therapy is close by, too, and clearly the latter has been of tremendous use, if “exhausting in the sense that every new development or idea led to a period of intense self-awareness followed by waves of acute self-consciousness coupled with endless self-recrimination.” As the anecdotes progress, that intense self-awareness becomes less fraught. Some of her life lessons are drawn from her experiences wrestling with the yips and setbacks of performing before audiences; some turn into knowing one-liners (“I knew if three men in a row told me not to do something, it was imperative that I do the opposite”). Most, even if tongue-in-cheek or rueful, are delivered with a disarming friendliness laced with her trademark archness: Her account of a dinner opposite Woody Allen and daughter/wife Soon-Yi is worth the price of admission alone. In the main, Handler is a cheerleader for everyone worthy of cheers, and especially women. As she writes, encouragingly, “You have misbehaved, and then corrected, and then misbehaved again, and then corrected some more”—and have grown and flourished.

A pleasingly unformulaic book of hard-won advice that never rings false.

Pub Date: Feb. 25, 2025

ISBN: 9780593596579

Page Count: 320

Publisher: Dial Press

Review Posted Online: March 4, 2025

Kirkus Reviews Issue: April 1, 2025

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