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WHO IS WELLNESS FOR?

AN EXAMINATION OF WELLNESS CULTURE AND WHO IT LEAVES BEHIND

A vulnerable, intensely trenchant analysis of the ways capitalism denies wellness for so many around the world.

An exploration of the ways in which the wellness industry simultaneously commoditizes non-White cultures and renders services inaccessible to marginalized peoples.

Róisín, a freelance writer who was raised Muslim by Bengali parents in Australia, frames the book with the question: “If [wellness] was for someone like me, pilfered from my very own culture, then why couldn’t I afford it?” Seeking to answer this question and others, the author divides the narrative into four sections—mind, body, self-care, and justice—each of which weaves a specific aspect of health care in with Róisín’s personal experiences. In the section on the mind, for example, the author interrogates how her abusive mother’s lack of access to therapy passed on intergenerational mental trauma. During her healing process, Róisín began practicing meditation, which she later found out had been divorced from its ancient Indian roots to make it more palatable to Western nations and easier to commodify in a capitalist society. In the section on the body, the author explores how her history as a survivor of sexual abuse instilled in her the harmful belief that her body was not actually her own. She then documents how a massage therapist who had previously helped her gain relief from the physical manifestations of abuse on her muscles violated her trust by callously discussing a highly publicized incest case in a moment when the author sought refuge from the triggering news cycles. Ultimately, Róisín calls for a more sustainable, equitable approach to healing. Only occasionally dense, the author’s prose is engaging, and she delves into her past with vulnerability and self-compassion. The book is deeply researched and laudably includes the work of a variety of Black and Indigenous scholars to make a unique and relevant case for the need for greater accessibility to healing.

A vulnerable, intensely trenchant analysis of the ways capitalism denies wellness for so many around the world.

Pub Date: June 14, 2022

ISBN: 978-0-06-307708-9

Page Count: 320

Publisher: Harper Wave

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE PERILOUS FIGHT

A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.

A principled athlete strives for social justice.

Kaepernick forthrightly details the activism that earned him global renown but cost him his NFL career. In 2016, the San Francisco 49ers quarterback “was filled with disgust” after police shootings of fellow Black men in several American cities. Before a preseason game, he made a spontaneous decision: “It hit me in that moment that I should find a seat” during the national anthem. He did the same at two more games before reporters noticed. Kaepernick will forever be associated with “taking a knee” during the anthem, but he credits Eric Reid—a teammate who agreed with Kaepernick’s message—for suggesting that they kneel together during subsequent anthems. The protest changed everything for Kaepernick. President Trump vilified him. Kaepernick and his wife received death threats. And though he’d taken the 49ers to a Super Bowl, no teams would sign him. He will likely make news for his take on Jay-Z, whose lucrative partnership with the NFL was criticized as an attempt to launder the league’s reputation. Visiting Africa, where Kaepernick learns about “African leaders who willingly sold their own people to the enslavers,” he “couldn’t help but to think about Jay-Z and the NFL.” In opening chapters, Kaepernick recalls suffering traumatic racial abuse as a child. Being in “white spaces”—he was adopted by white parents—placed him “under a microscope every minute of every day.” He isn’t always nuanced, depicting some people he disagrees with as cartoonishly clueless. But his writing about how college and pro teams “lied” to him about injuries underlines his “feeling of being a disposable commodity.” A decade has passed since Kaepernick played in the NFL, but he stays fit in case “a team needing a QB” calls.

A football star’s bracing account of his battle for racial equality—and how powerful forces arrayed against him.

Pub Date: Sept. 15, 2026

ISBN: 9781538777879

Page Count: 288

Publisher: Legacy Lit/Hachette

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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