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WHEN WE WERE SISTERS

An assured first novel explores the bonds and divides among three orphaned sisters.

Sisterhood is the power that gets three young Muslim American girls through a neglected childhood in this debut novel.

Their mother died years ago; when their beloved father is murdered, young sisters Noreen, Aisha, and Kausar are orphaned. Their parents were immigrants from Pakistan, so they are “familyless in America” except for one uncle, their mother’s brother, whom they don’t know. Noreen, the oldest sister, is smart, pretty, and responsible; Aisha is assertive and angry. Kausar, the book’s narrator, is the youngest. She’s frightened and confused, but she worships her sisters fiercely. The girls are taken in by the man Kausar calls Uncle, the term always followed by a black bar, as if his name were redacted in an official document. He picks them up in Philadelphia and takes them to a city a “five-hour car ride” away. He promises them a new home with plenty of room and a zoo; what they get is a cramped apartment with a hallway full of caged birds and three bedrooms, to one of which all of them are confined. Uncle gives them strict rules of behavior and isolates them from everything but school. He’s dealing with his own problems—he’s separated from his American wife (who wants nothing to do with his nieces) and two sons, whom he maintains in suburban splendor. He lives in his own apartment near the girls, where his hoarding is out of control. So he often neglects his nieces, leaving them without food or money. He rents out the other bedrooms in their apartment to immigrants in transit, and sometimes the sisters get lucky, as with a kindly couple who parent them for a while. But much of the time they are on their own. Caught between American culture and their family's Pakistani background with little guidance, the girls turn to each other for support. But as they grow up and become teenagers, cracks develop in their bonds of love. Kausar’s compelling voice, sometimes lyrical, sometimes heartbreaking, is skillfully crafted, changing subtly as she grows. The book’s ending, a jump forward in time, seems tacked on and less convincing than what went before, but the sisters’ story is a moving journey.

An assured first novel explores the bonds and divides among three orphaned sisters.

Pub Date: Oct. 18, 2022

ISBN: 978-0-593-13346-0

Page Count: 352

Publisher: One World/Random House

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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