A first-class introduction to a wonderful writer.
A first English-language collection of 20 stories by an almost forgotten Italian writer (1883–1920), malcontent, fervent socialist, and effervescent romantic libertine. Translator Proctor’s illuminating introduction recounts the known facts of Tozzi’s checkered literary and sexual adventures, and links his “provincial realism” convincingly with the work of his contemporaries Italo Svevo and Luigi Pirandello and also (an obvious influence) Sicily’s Giovanni Verga. The stories themselves—simultaneously anecdotal, earthy, and psychologically astute—include such gems as two knowing depictions (in “First Love” and “The Lovers,” respectively) of the intricacies and absurdities of both adolescent and adult passion; a compact rustic tragedy precipitated by jealousy (“Assunta”); tales of marital mistrust, violence, and vengeance (“L’Amore,” “Poverty”) that might have come out of Boccaccio’s Decameron; and a masterly study of obsession (“The Clocks”). Best of all perhaps is “The Idiot”: here, the mind and heart of the emotionally helpless man-child Fiocco are portrayed with remarkable ingenuity—and compassion.
A first-class introduction to a wonderful writer.Pub Date: May 24, 2001
ISBN: 0-8112-1471-0
Page Count: 160
Publisher: New Directions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
A seamless melding of Japanese cultural nuances with universal themes—in a virtuoso story collection from rising literary star Murakami (A Wild Sheep Chase, 1989; Hard-boiled Wonderland and the End of the World, 1991). These 15 pieces, some of which have appeared in The New Yorker and Playboy, are narrated by different characters who nonetheless share similar sensibilities and attitudes. At home within their own urban culture, they happily pick and choose from Western cultural artifacts as varied as Mozart tapes, spaghetti dinners, and Ralph Lauren polo shirts in a terrain not so much surreal as subtly out of kilter, and haunted by the big questions of death, courage, and love. In the title story, the narrator—who does p.r. for a kitchen-appliance maker and who feels that "things around [him] have lost their balance," that a "pragmatic approach" helps avoid complicated problems—is troubled by the inexplicable disappearance of a local elephant and his keeper. In another notable story, "Sleep," a young mother, unable to sleep, begins to question not only her marriage and her affection for her child, but death itself, which may mean "being eternally awake and staring into darkness." Stories like "TV People," in which a man's apartment is taken over by TV characters who "look as if they were reduced by photocopy, everything mechanically calibrated"; "Barn Burning," in which a man confesses to burning barns (it helps him keep his sense of moral balance); and "The Second Bakery Attack," in which a young married couple rob a McDonald's of 30 Big Macs in order to exorcise the sense of a "weird presence" in their lives—all exemplify Murakami's sense of the fragility of the ordinary world. Remarkable evocations of a postmodernist world, superficially indifferent but transformed by Murakami's talent into a place suffused with a yearning for meaning.
Pub Date: March 31, 1993
ISBN: 0679750533
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Warm, generous stories.
A kind and earnest debut collection of connected stories set in blue-collar northeastern Pennsylvania.
MK and Colleen, former classmates at Our Lady of Perpetual Help Elementary School, reconnect as middle-aged women, both working retail jobs in a mall that’s just months away from closing its doors. From the outside, they seem to live just on the edge of despair and economic ruin, except both have too much moxie. In "St. Christopher on Pluto," for example, Colleen entangles MK in a plot to ditch Colleen's car by the Susquehanna River for insurance money. While MK lectures Colleen on committing fraud, Colleen wisecracks and tells MK to lighten up. That's the setup of many of McKinley's stories: Bighearted, redheaded Colleen has a scheme (or a volunteer gig), and she wheedles practical MK, often the narrator, into coming along. These slice-of-life stories touch upon social issues on the verge of fracturing already economically stressed, conservative communities: immigration, America's never-ending post–9/11 wars, the HIV epidemic, drug addiction, and the disappearance of good blue-collar jobs. In "Complicado," Colleen volunteers to photograph an ESL class graduation, but it turns out the women don't want their pictures taken for fear of becoming the target of a rising tide of jingoism. Once she understands, Colleen yanks the film from her camera, and the party ends with the church organist's offering her accordion to a young Mexican man, "the Latin sounds creat[ing] fusion in a room steeped with polka fests." While we yearn for such happy endings in life, they can seem a bit treacly in fiction. When McKinley resists the lure of “Kumbayah” moments, she delivers emotionally devastating stories about how places with bleak economic futures hurt good, ordinary people—as well as how such people quietly craft lives full of intangible bounty.
Warm, generous stories.Pub Date: Feb. 1, 2020
ISBN: 978-1-949199-26-0
Page Count: 228
Publisher: West Virginia Univ. Press
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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