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MARRY ME BY MIDNIGHT

From the Once Upon the East End series , Vol. 1

A masterful, original take on a beloved fairy tale is sure to please romance readers.

A gender-swapped “Cinderella” about an heiress and a custodian in 1832 London.

After her father’s untimely death, Isabella Lira must marry to secure her family’s business and standing. Her father sat on the London Commission of Delegates, an organization that works with the Crown for the safety and security of the entire Jewish community in England, while also co-owning a business with the powerful Berab brothers. The three brothers each offer to marry her, hoping to secure total control of the shared business. Isabella wants to preserve her own influence in the company, so she hatches a plan to find another suitor—one outside the sphere of the Berab family. She's going to throw three festivals in three weeks, between the holidays of Passover and Lag b’Omer, and she enlists the help of Aaron Ellenberg, an unlikely ally. Aaron exists in a strange liminal space in the community: He’s a kindhearted and gentle man who has never successfully found a job or home of his own. The community supports him by providing work as a custodian in the synagogue. He has become expert at observing everyone and everything while remaining invisible in the background. Isabella asks him to spy on prospective suitors at her parties to help her find one who won't try to control her—a man with a secret that Isabella could hold over him. In return, she offers Aaron 200 pounds, enough money for him to have a home and family, which had always seemed like an impossible dream. Isabella and Aaron should have nothing in common, but while working together they learn to respect and love each other despite their differences in status and the many obstacles in their way. It’s an engaging and sexy romance, almost old-school in its complexity, complete with genuine conflict, delicious tension, and dense, meaty subplots.

A masterful, original take on a beloved fairy tale is sure to please romance readers.

Pub Date: Aug. 8, 2023

ISBN: 9781538722541

Page Count: 400

Publisher: Forever

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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THE WORST DUKE IN THE WORLD

A bumpkin duke and a young woman belatedly acquiring a gentlewoman’s education make for an entertaining love story.

When a Regency duke would rather feed blancmange to his prize pig than pay court to prospective brides, it’s fortunate that the girl next door also likes pigs.

Anthony Farr, Duke of Radcliffe survived an unhappy first marriage and is deathly afraid of marrying again. He would rather spend his days pottering about on his farm and skipping stones on the lake with his 8-year-old son, Wakefield. But when a poor relation of the Penhallow family arrives in the neighborhood, she quickly becomes friends with both Anthony and Wakefield. Where Anthony is simple and even childlike, Jane Kent is just uneducated and still suffering from the traumas of spending her early life in poverty. In their first encounter, afternoon tea in the company of Jane’s relatives turns into a fierce competition. Jane and Anthony are both determined to devour more food than the other—all while maintaining a polite facade. It’s the first of many deftly funny scenes in the novel, although some of the jokes become a little repetitive, such as Wakefield’s frequent mispronunciations of long words. The dialogue, too, is both funny and a little tiresome, with long conversations that don’t significantly advance the plot. But the book has other strengths that set it apart from typical Regency romances. It’s body-positive. There are several scenes where Jane, Anthony, and Wakefield demolish decadent food. There’s also a little light sadomasochism, which feels surprising since the main characters are otherwise so childlike. And it's a nice portrait of what courtship is like for a dedicated single parent. The child and his needs are central to the love story.

A bumpkin duke and a young woman belatedly acquiring a gentlewoman’s education make for an entertaining love story.

Pub Date: Jan. 12, 2021

ISBN: 978-0-06-285237-3

Page Count: 432

Publisher: Avon/HarperCollins

Review Posted Online: Oct. 26, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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