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PLAIN JANE

Not exactly the first time this author has featured noble dogs, convenient ghosts, and plucky gals.

Another formula romance from ever-popular Michaels (What You Wish For, 2000, etc.), this time featuring a talk-show psychologist and the men who wronged her college chum.

Dr. Jane Lewis is lovely, self-assured, successful, and popular—the exact opposite of the plump, shy frump she used to be. Her radio call-in show boasts thousands of listeners, and she sees patients privately as well. One case particularly troubles her: a man who blames his wife for the rape that shattered their marriage. Jane can't help remembering her friend Connie Bryan, homecoming queen at Louisiana State and fiancée of the football team's star quarterback, Todd Prentice. Connie was waylaid and gang-raped by four unknown men (who spurned the unattractive Jane), then killed herself when Todd broke off their engagement. Connie had sworn her friend to secrecy, not even telling her own parents of the rape before she committed suicide. Jane is now determined to find out more, and she does so with the help of another psychologist, hunky Dr. Michael Sorenson, her erstwhile high-school crush. The pair host Jane's show together and rekindle their long-ago romance as she begins investigating the circumstances of Connie's rape and subsequent death. Jane also grapples with her mixed feelings about her own looks, reaching the departed spirit of her cold-hearted beauty-queen mother through a resident ghost. (Mom finally apologizes!) Michael and Jane eventually figure everything out, of course. Aided by a crack team of K-9 dogs, Jane corrals the likely suspects and reveals that she has kept Connie's semen-stained clothing in a bag for all these years, somehow knowing that DNA testing would incriminate someone eventually. The rapists get their just deserts—and Jane gets Michael.

Not exactly the first time this author has featured noble dogs, convenient ghosts, and plucky gals.

Pub Date: March 1, 2001

ISBN: 1-57566-673-1

Page Count: 304

Publisher: Kensington

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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HOUSE OF LEAVES

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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