An inventive look at a pioneering woman whose intellectual passions culminated in published works of beauty and scientific...

THE BLUEST OF BLUES

ANNA ATKINS AND THE FIRST BOOK OF PHOTOGRAPHS

Robinson examines the life of Anna Atkins, whose childhood love of the natural world propelled a unique career.

Born in England in 1799, Anna was raised by her scientist father after her mother’s death. Father abets Anna’s fascination with nature, fostering her scientific education. She becomes a botanist, collecting, cataloging, and illustrating British flora. The pair moves to London, where Father works at the British Museum. Anna marries John Pelly Atkins and continues work on her pressed-plant herbarium. Father’s retirement occasions the family’s return to the Kent countryside, where father and daughter explore their mutual zeal for a new technology: photography. Introduced to the cyanotype, whose chemical reaction produces permanent images, Anna harnesses the technique to share her botanical collections, producing several books under the demure nom de plume “A.A.” As little is known of Anna’s early life, Robinson’s present-tense narrative imagines childhood scenes. Historical context highlights the British mania for worldwide plant collection (but does not connect it to imperialism) and the sexist constraints on women and girls pursuing career paths. Illustrations utilize the cyanotype’s distinctive blue and white, with touches of red and yellow. A note details Robinson’s process, including digital manipulation of Atkins’ cyanotypes. (Other backmatter includes an author’s note, cyanotype instructions, bibliography, resources for Atkins’ works, and illustration credits.) The effete, white-skinned figural depictions, which infantilize the adult Atkins, detract from the otherwise handsomely designed package.

An inventive look at a pioneering woman whose intellectual passions culminated in published works of beauty and scientific verisimilitude. (Picture book/biography. 6-9)

Pub Date: Feb. 12, 2019

ISBN: 978-1-4197-2551-7

Page Count: 48

Publisher: Abrams

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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It’s nothing new in territory or angle, but it’s still a serviceable survey with reasonably durable moving parts.

THE ULTIMATE BOOK OF PLANET EARTH

Flaps, pull tabs, and pop-ups large and small enhance views of our planet’s inside, outside, atmosphere, biosphere, and geophysics.

It’s a hefty, high-speed tour through Earth’s features, climates, and natural resources, with compressed surveys of special topics on multileveled flaps and a spread on the history of life that is extended by a double-foldout wing. But even when teeming with small images of land forms, wildlife, or diverse groups of children and adults, Balicevic’s bright cartoon illustrations look relatively uncrowded. Although the quality of the paper engineering is uneven, the special effects add dramatic set pieces: Readers need to hold in place a humongous column of cumulonimbus clouds for it to reach its full extension; a volcano erupts in a gratifyingly large scale; and, on the plate-tectonics spread, a pull tab gives readers the opportunity to run the Indian Plate into the Eurasian one and see the Himalayas bulge up. A final spread showing resources, mostly renewable ones, being tapped ends with an appeal to protect “our only home.” All in all, it’s a likely alternative to Dougal Jerram’s Utterly Amazing Earth, illustrated by Dan Crisp and Molly Lattin (2017), being broader in scope and a bit more generous in its level of detail.

It’s nothing new in territory or angle, but it’s still a serviceable survey with reasonably durable moving parts. (Informational novelty. 6-9)

Pub Date: Aug. 27, 2019

ISBN: 979-1-02760-562-0

Page Count: 18

Publisher: Twirl/Chronicle

Review Posted Online: July 24, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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More thoughtful, sometimes exhilarating encounters with nature.

OVER AND UNDER THE WAVES

From the Over and Under series

In a new entry in the Over and Under series, a paddleboarder glimpses humpback whales leaping, floats over a populous kelp forest, and explores life on a beach and in a tide pool.

In this tale inspired by Messner’s experiences in Monterey Bay in California, a young tan-skinned narrator, along with their light-skinned mom and tan-skinned dad, observes in quiet, lyrical language sights and sounds above and below the sea’s serene surface. Switching perspectives and angles of view and often leaving the family’s red paddleboards just tiny dots bobbing on distant swells, Neal’s broad seascapes depict in precise detail bat stars and anchovies, kelp bass, and sea otters going about their business amid rocky formations and the swaying fronds of kelp…and, further out, graceful moon jellies and—thrillingly—massive whales in open waters beneath gliding pelicans and other shorebirds. After returning to the beach at day’s end to search for shells and to spot anemones and decorator crabs, the child ends with nighttime dreams of stars in the sky meeting stars in the sea. Appended nature notes on kelp and 21 other types of sealife fill in details about patterns and relationships in this rich ecosystem. (This book was reviewed digitally.)

More thoughtful, sometimes exhilarating encounters with nature. (author’s note, further reading) (Informational picture book. 6-9)

Pub Date: Sept. 13, 2022

ISBN: 978-1-79720-347-8

Page Count: 56

Publisher: Chronicle Books

Review Posted Online: June 22, 2022

Kirkus Reviews Issue: July 15, 2022

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