At this art show in the deep, the deepest aspect is the conveyance of celestial views to an underwater audience.
In a calm and color-shifting ocean, a whale becomes an artist.
At first, the sea looks almost empty, made of soft, horizontal stripes in greens and blues. A whale arrives, wearing a poster: “Call for entries! The hugest art show in the deep and briny. Curated by Mr. Jackson Pollock.” A wrasse creates living sculpture with coral; a shark drapes fishing floats over an anchor. Whale sulks (“I wish I could make something too, but I’m just in advertising”) until encouragement arrives from an unlikely source. Some plankton pipe up with support, undeterred by Whale’s biologically sensible threat—“go away before I eat you!” Grumpy Whale swims away, inadvertently lighting up the plankton, who are bioluminescent; they glow when his tail swishes them. Now Whale has a medium; what’s his subject? Bursting through the ocean’s surface for air, he observes something his friends only ever see “through a dulling veil of water”: the sky. His undersea plankton painting will be Starry Night (à la Van Gogh). Robinson’s placid watercolor ocean alters shade on every page and horizontal panel, employing myriad blues and greens; her sharp contrasts between light and dark are beautiful. Her pencil drawings are friendly, though the octopus and squid are somewhat stuffed animal–like.
At this art show in the deep, the deepest aspect is the conveyance of celestial views to an underwater audience. (Picture book. 3-7)Pub Date: Nov. 5, 2013
ISBN: 978-1-4197-0848-0
Page Count: 32
Publisher: Abrams
Review Posted Online: Sept. 13, 2013
Kirkus Reviews Issue: Oct. 1, 2013
Familiarity breeds a birthday for the ages in this party worth attending.
Don’t let the Pigeon ruin his own special day!
Anyone who has ever encountered the title character in any of his books—whether his first, Don’t Let the Pigeon Drive the Bus (2003), or one of its many sequels—will understand that the bird’s innate self-love drives his every interaction. Little wonder, then, that he’s thrilled about his own “bird-day.” He has the hat. He has his “FANCY PLUMAGE.” And, best of all, he will get to blow out a candle “on my bird-day hot dog!” As he revels in the knowledge that this day is all for him, comeuppance is lurking. Someone has already blown out the bird-day candle—and eaten half the hot dog. It turns out that the Pigeon’s frenemy, the Duckling, has the same bird-day—as do a slew of newly hatched chicks. The Pigeon’s obligatory eight-panel freakout ensues. “What am I—invisible? I just want to be seen,” he whimpers, and when he receives some much-needed reassurance, he settles down and willingly shares his special day. While the switch from unapologetic narcissism to mature acceptance happens in the record-breaking span of two pages, the book is as enchanting as the Pigeon’s earlier outings. Even as it walks in the footsteps of its predecessors, there’s no denying the fun to be had.
Familiarity breeds a birthday for the ages in this party worth attending. (Picture book. 3-6)Pub Date: March 31, 2026
ISBN: 9781454999621
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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