A beautifully crafted, unflinching account of a young Englishwoman’s battle with the demons in her psyche. Less than two weeks after the birth of her second daughter, Shaw begins a dismaying, inexorable slide into deep depression. She starts a journal to record what is happening to her mind and body. Paralyzing fear drives her to her bed, which becomes her prison; intense feelings of self-loathing are expressed in self-inflicted bites, burns, and scratches to her face and hands. She starves herself and drinks only enough fluids to breastfeed her baby. It is inevitable that Shaw is confined to a psychiatric unit, where she is diagnosed as suffering from postpartum depression. There she is given, over time, 16 electroshock treatments (ECT), the therapy of choice when psychotic depression will not yield to drugs. Shaw finds it humiliating. It leaves her “stunned and disoriented,” with no memory of what has happened. When doctors cannot tell her why she is depressed, and refuse her pleas for psychoanalysis, Shaw begins to read everything she can find on depression. The psychiatric textbooks she first consults reduce patients to cases, symptoms, and disease processes. But Shaw is convinced her depression is more than physical, that in fact it lies deep within herself. Seeking confirmation, Shaw reads William Styron’s retrospective Darkness Visible, an account of his own depression which Styron characterizes as an “aberrant biochemical process.” Shaw is heartened however, by his concession that it might have grown out of a feeling of great loss. Marie Cardinal’s book The Words To Say It inspires Shaw to continue her journey of self-revelation through her writing and in psychoanalysis. Composing Myself both charts Shaw’s reclamation of her life and bears witness to her courage in the face of a recalcitrant mind-altering disorder.
Pub Date: May 1, 1998
ISBN: 1-883642-97-3
Page Count: 209
Publisher: Steerforth
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1998
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
