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CONFESSIONS OF THE VERY FIRST ZOMBIE SLAYER (THAT I KNOW OF)

Readers who don’t mind a little brain spatter on the windshield will be happy they took this particular trip

The zombie apocalypse begins on a Venturer Scout camping trip in the hills outside of Los Angeles when Cassie’s would-be boyfriend, Mark, reanimates after an unfortunate paintball accident.

It soon becomes appallingly clear that Mark is just the first in a sudden, worldwide phenomenon. In very short order, Cassie and five other camping-trip refugees find themselves in a van headed across the country in hopes of finding the twin sister of one of her companions alive in New York City. Heartbreak, humor, a very large number of crushed skulls and even romance ensue. Titchenell avoids trying to explain the zombies, just plunging her protagonists into a landscape teeming with shambling corpses and littered with abandoned cars. As with any good road trip, the pleasure in this book resides mostly in the evolving relationships among the teens, who must progress from fractious individualism to solidarity in order to survive. For all its formulaic nature, this progress is accomplished with beautiful emotional honesty. The author provides some moments of grace amid the horror: A handful of survivors welcome the teens at the Tulsa Zoo; the kids have an epic movie night at Graceland. Cassie’s first-person “confessions” are smartly paced and voiced, and they end on just the right note.

Readers who don’t mind a little brain spatter on the windshield will be happy they took this particular trip . (Horror. 12-16)

Pub Date: May 1, 2014

ISBN: 978-1-939967-30-5

Page Count: 304

Publisher: Jolly Fish Press

Review Posted Online: March 30, 2014

Kirkus Reviews Issue: April 15, 2014

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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PHANTOM HEART

The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.

Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.

After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.

The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)

Pub Date: Aug. 17, 2021

ISBN: 978-0-593-11604-3

Page Count: 528

Publisher: Viking

Review Posted Online: May 26, 2021

Kirkus Reviews Issue: June 15, 2021

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