A well-written fantasy adventure for lovers of pirates and haters of siblings.
Crispin escapes to a world of pirates and dragons in Dickison’s fantasy-adventure novel.
Crispin, a boy around 10 years old, who is white with light-brown spiky hair, has a sister named Rose. She may want to play on a rainy day, but Crispin is already out the door and jumping into a puddle that transports him straight to another world. He joins a frog pirate crew and vows to find a magical sword that so far has eluded his grasp. “Now weigh the anchor, hoist the flag, the plans have all been made: Today we search the seven seas to find the LIGHTNING BLADE!” But before they can even cast off, Rose floats down from the sky on an umbrella. Crispin is against her being on the ship, but her offer of snacks and decluttering is enough to buy her passage. As she works, the pirates sail from whirlpool to jungle and from Lava Peak to Ocean’s End to seek out the missing weapon. Just as Crispin begins to accept Rose’s presence, a red dragon kidnaps her. Dickison’s debut as an author/illustrator has it all: a relatable sibling relationship, powerful treasure, and even cannibals. His depictions of Rose and Crispin in a world of lush color echo the magic of Studio Ghibli films like My Neighbor Totoro (1988). The rhyming couplets provide the story with a traditional lilt that lends it the timelessness of a classic picture book.
A well-written fantasy adventure for lovers of pirates and haters of siblings.Pub Date: Aug. 13, 2024
ISBN: 9781591281078
Page Count: 32
Publisher: Canonball Books
Review Posted Online: Aug. 22, 2024
Review Program: Kirkus Indie
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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