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PLENTY OF HUGS

Plenty of need for this warm hug of a book.

A sweet portrait of parental love, notable for its depiction of a two-mom family.

The text neither names nor defines the family relationships in this picture book, so Alizadeh’s art takes the lead in depicting two women and their baby. One mother appears white, with light skin and short-cropped brown hair, while the other has long, dark, wavy hair and a slightly darker skin tone. Their child has coloring more like that of the latter mother and is clearly abundantly loved by both parents. The illustrations depict the family riding their bicycles to a farm and a zoo before heading home for dinner, a bath, and bedtime. The loose linework, gentle palette, and soft visual texture of the art is a perfect match for the lilting, easy cadence of the affirming text: “There’s a buzz for each bug, / and a breeze for each tree, / and plenty of hugs for you and me.” The speaker and addressee of this line and others are never defined, which underscores the clarity of Alizadeh’s intention in depicting this particular queer family constellation. “You” could have been depicted as one person, after all, but this line is accompanied by a group hug shared by the child and two moms.

Plenty of need for this warm hug of a book. (Picture book. 1-5)

Pub Date: April 14, 2020

ISBN: 978-0-525-55401-1

Page Count: 32

Publisher: Dial Books

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: April 1, 2020

Categories:
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FAMILIES BELONG

A joyful celebration.

Families in a variety of configurations play, dance, and celebrate together.

The rhymed verse, based on a song from the Noodle Loaf children’s podcast, declares that “Families belong / Together like a puzzle / Different-sized people / One big snuggle.” The accompanying image shows an interracial couple of caregivers (one with brown skin and one pale) cuddling with a pajama-clad toddler with light brown skin and surrounded by two cats and a dog. Subsequent pages show a wide array of families with members of many different racial presentations engaging in bike and bus rides, indoor dance parties, and more. In some, readers see only one caregiver: a father or a grandparent, perhaps. One same-sex couple with two children in tow are expecting another child. Smart’s illustrations are playful and expressive, curating the most joyful moments of family life. The verse, punctuated by the word together, frequently set in oversized font, is gently inclusive at its best but may trip up readers with its irregular rhythms. The song that inspired the book can be found on the Noodle Loaf website.

A joyful celebration. (Board book. 1-3)

Pub Date: Sept. 1, 2020

ISBN: 978-0-593-22276-8

Page Count: 24

Publisher: Rise x Penguin Workshop

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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