A safe space to examine a powerful, often overwhelming feeling.
After the electricity cuts off during a thunderstorm, a pajama-clad father and son discuss fears by candlelight.
As this Spanish import opens, Max asks his dad if he has ever been afraid. Dad explains that fear is universal—and he acknowledges how quickly it can arise. Instantly the home is filled with black ovals of different sizes. As Dad describes various types of fears, Max vividly conjures up visuals. There is fear of the unknown, depicted as a maze of trees, and loneliness, paired with an image of a huddled Max looking at a group of partygoers. There are times when people are afraid “because the real monsters aren’t under the bed after all.” Planes drop black ovals over a city, causing smoke to billow. Pintadera, Sender, and Petricic explored the complexities of another emotion in Why Do We Cry? (2020); they are equally effective in developing a nuanced approach to this topic, even suggesting that “Often we’re afraid of freedom.” Max is not consumed by this conversation. When the streetlights come on, he wants to linger in semidarkness, because “It’s the perfect night for telling stories.” Scary ones. With its surreal imagery, the stylized, arresting artwork evokes fear yet also hope in the face of terror. Max and Dad are both brown-skinned. (This book was reviewed digitally.)
A safe space to examine a powerful, often overwhelming feeling. (Picture book. 4-8)Pub Date: June 6, 2023
ISBN: 9781525311291
Page Count: 34
Publisher: Kids Can
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
A flavorful call to action sure to spur young introverts.
In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.
Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.
A flavorful call to action sure to spur young introverts. (Picture book. 4-8)Pub Date: Nov. 4, 2025
ISBN: 9780063469730
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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