A compelling Christian narrative with uncomfortable undertones.
A grieving woman’s desperate choice sets off a chain of mistaken identity, vengeance, and grace in Tabor’s novel.
Sarah Jane Alexander, childless despite years of treatments, is at peak fertility when her husband, Robert, is reportedly killed by a car. At the hospital, she demands that the staff harvest the body’s sperm, “just in case.” Alone in the hospital chapel, she inseminates herself and conceives soon after. Then comes the twist: The dead man was not Robert, but a notorious serial killer. The real Robert is recovering as an unidentified patient, having been beaten by the killer and left for dead in a dumpster. Sarah, it turns out, is pregnant by the would-be murderer. Urged to quietly abort, she instead “chooses life,” and the recuperating Robert (after phases of revulsion and prayer) comes to accept the boy as his own. Hovering at the story’s edges is a remorseful man who killed the killer in a botched act of vengeance. Tabor’s prose is efficient, and the plot, while improbable, is fast-paced and imaginative. The message about choosing life and redeeming evil arrives earnestly and after real debate. The author’s designation of the book as an “adult Christian novel” is a bit surprising, considering the work’s tone—the narrative dwells on insemination and pregnancy in ecstatic terms, and uneasy racial and sexual dynamics are in play (the killer fantasizes about raping Sarah only for her to later collect his sperm and impregnate herself with it). There’s an extended metaphor in which William, the mixed-race child conceived through the “Final Gift” (as the killer’s sperm is called), becomes a “toothless gift horse” rather than the hoped-for “thoroughbred”; some readers may be bothered by mother and child being appraised in stock-breeding terms.
A compelling Christian narrative with uncomfortable undertones.Pub Date: Aug. 15, 2025
ISBN: 9798232405380
Page Count: 216
Publisher: Elaine's Dreams
Review Posted Online: June 12, 2026
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Simply charming.
A lovable gaggle of competitive quilters attempts to defy the odds.
The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.
Simply charming.Pub Date: Sept. 8, 2026
ISBN: 9798890920461
Page Count: 260
Publisher: Torrey House Press
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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